A black metal assault on hypocrisy and false righteousness from the Norwegian pioneers.
It's less a narrative than an inventory of destruction.
The language doesn't argue theology; it just lists the implements for tearing it down.
A black metal assault on hypocrisy and false righteousness from the Norwegian pioneers.
A black metal assault on hypocrisy and false righteousness from the Norwegian pioneers.
It's less a narrative than an inventory of destruction.
The language doesn't argue theology; it just lists the implements for tearing it down.
A black metal assault on hypocrisy and false righteousness from the Norwegian pioneers.
exposes to poisonous ream of the hypocrite whores
It's less a narrative than an inventory of destruction. The language doesn't argue theology; it just lists the implements for tearing it down.
The lyric builds a series of violent tools: 'the knife that cuts through the veil of sanctity,' 'the shovel that digs in the soil of holiness.' Each one methodically dismantles religious structures, exposing what the song calls 'the hypocrite whores' and 'the false savior.'
That phrase 'poisonous ream' is a particularly nasty bit of wordcraft. It turns hypocrisy into something viscous and corrupting, not just an idea.
The relentless, almost liturgical repetition of 'The. that.' gives the whole thing a grim, procedural feel.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
The knife that cuts
Through the veil of sanctity
And exposes to poisonous ream of the hypocrite whores
The shovel that digs in the soil of holiness
And exhumes the rotting corpse of the false savior
The strike that obliterates the firmament of righteousness
And brings down the disease-ridden angels of perverted purity
The lamp that lights up the path to paradise
And reveals the black hole of oblivion
The hand that feeds the dogs of reason
And unleash the hounds of hell
The bringer of the satanic current
The morning star that shines
On the dawns of the black hearts
Marvel of blasphemy
A black metal assault on hypocrisy and false righteousness from the Norwegian pioneers. It's less a narrative than an inventory of destruction. The language doesn't argue theology; it just lists the implements for tearing it down.
1349 performs "Godslayer", and this lyric page sits inside the 1349 catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "1349's Godslayer carves through sanctity", followed by the full lyric and related songs.
Yes. The related section below points to Deeper Still and Aiwass Aeon with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through 1349's lyric pages.
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