A ballad about packing up three years of a relationship, trying to leave the place where everything happened.
A ballad about packing up three years of a relationship, trying to leave the place where everything happened.
The song understands that leaving isn't about geography but about time.
You're not walking out the door; you're trying to walk out of the version of yourself that lived there, and the boxes are just props for that impossible play.
A ballad about packing up three years of a relationship, trying to leave the place where everything happened.
Gwaenchanha gwaenchanha gwaenchanha
The song understands that leaving isn't about geography but about time. You're not walking out the door; you're trying to walk out of the version of yourself that lived there, and the boxes are just props for that impossible play.
The repeated 'It's okay, it's okay, it's okay' feels less like reassurance and more like a spell you're trying to cast on yourself. He's telling the memories, the traces, that they can all just be left here in this empty space, as if grief could be neatly boxed and abandoned with the furniture.
Saying it three times doesn't make it true, it just makes the effort visible. The insistence itself is the wound.
The way the melody lingers on 'seolleim ppunideon nal', 'the day that was only longing', gives the ache a specific, daily shape.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Geudae oneul achim chulgeungireun eottaennayo
Hangyeol pogeunhaejin nalssineun geudaen eottaennayo
Yunanhido chuwireul tadeon geudaen
Naneun oneul achim jeongsin eobsi bappeuneyo
3Nyeon dongan saldeon i jibeul tteonagaryeogo jimeul ssago itjyo
Saenggangnayo son ttae mudeun uriui heunjeokdeul
Eoje ilman gatjyo
Maeil geudae ttaemune ulgo utdeon nal
Haru onjongil seolleim ppunideon nal
Gwaenchanha gwaenchanha gwaenchanha
Modu da yeogi noko gamyeon dwae
Chueokdeul heunjeokdeul modu
Ajik geudae jimi manhi nama isseonneyo
Geudak miryeonttawin eopdago saenggakhaenneunde
Walkak nunmullayo
Eotteokhajyo hanahana ssahyeojin chueokdeul
Ajik seonmyeonghande
Maeil geudae ttaemune ulgo utdeon nal
Haru onjongil seolleim ppunideon nal
Gwaenchanha gwaenchanha gwaenchanha
Modu da yeogi noko gamyeon dwae
Chueokdeul heunjeokdeul modu
Kkumeul kkwotjyo geudaewa na i jibeseo
Duri saranghamyeo hamkkehaneun nal
Deo meon miraeeseo dwi dorabomyeo
Yeolsimhi saranghaesseotdago
Jarangseure yaegi halgeora mideonneunde
Maeil geudae ttaemune ulgo utdeon nal
Haru onjongil seolleim ppunideon nal
Gwaenchanha gwaenchanha gwaenchanha
Modu da yeogi noko gamyeon dwae
Chueokdeul heunjeokdeul modu
A ballad about packing up three years of a relationship, trying to leave the place where everything happened. The song understands that leaving isn't about geography but about time. You're not walking out the door; you're trying to walk out of the version of yourself that lived there, and the boxes are just props for that impossible play.
2AM performs "One Spring Day", and this lyric page sits inside the 2AM catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "2AM's One Spring Day and the memory house", followed by the full lyric and related songs.
Yes. The related section below points to Never Let You Go and Always Me with a short reason for opening each page next.
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