A Brazilian singer whose haunting delivery made street poetry feel immediate.
Start with 'Ponta de faca' to hear what made people hold onto his voice. Then try 'Cavalo Alado' for how he kept that raw quality going.
His version of 'Ponta de faca' became something people held onto, a piece of music that seemed to speak directly from the streets of Salvador. Written by poet Haroldo Costa, Monteiro gave it a raw quality that felt both personal and difficult. Songs like 'Cavalo Alado' and 'Canção do Lenço' continued in that vein, grounded in Brazilian rhythms without polish.
In the late 1980s, producer Carlinhos Brown helped him record his debut album featuring 'Ponta de faca.' He went on to record albums like 'Ser Tão Brasileiro' in 1996 and 'A Máquina do Mundo' in 2005, working with artists including Gilberto Gil and Caetano Veloso. He performed as a solo artist with session musicians, making music that wasn't easy but connected directly.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
Sign in to post the first listener note. Reporting stays open to everyone.