A Korean R&B singer holds space for someone who may never arrive.
The lyric treats waiting as an active state, not a passive one.
It's less about hoping for change and more about maintaining a position, which gives the sadness a strange dignity.
A Korean R&B singer holds space for someone who may never arrive.
A Korean R&B singer holds space for someone who may never arrive.
The lyric treats waiting as an active state, not a passive one.
It's less about hoping for change and more about maintaining a position, which gives the sadness a strange dignity.
A Korean R&B singer holds space for someone who may never arrive.
gateun jari gateun mameuro
The lyric treats waiting as an active state, not a passive one. It's less about hoping for change and more about maintaining a position, which gives the sadness a strange dignity.
The phrase "gateun jari gateun mameuro", the same place, the same heart, captures the song's quiet stubbornness. It's not about dramatic gestures, just showing up. The singer keeps that space open, which feels like a kind of faith.
Those words hold the whole song still. They're the reason the tears keep coming, nothing has moved, not the place, not the feeling.
The way the Korean flows around "eolmana apeugo eolmana ureoya geudae", how much it hurts, how much I cry for you, lingers in the melody.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Baramgataseo jabeul suga eobseoseo
Meolliseo baraman boneun naega babogataseo
Ijeulyeohamyeon deo bogosipeun saram
Saenggagmanhaedo nunmuri nabnida
Eolmana apeugo eolmana ureoya geudae
Naui isaram barabwa julkka
Gin haru jinago naeiri dasi jinado
Gateun jari gateun mameuro eum
Geudael gidarineun han saram
Gonggigataseo boijiga anhaseo
Gipeun nae isarangeul boyeojulsu eobseoseo
Geurimjacheoreom geudae dwie seoissjyo
Oneuldo naneun honjaseo ubnida
Eolmana apeugo eolmana ureoya geudae
Naui isaram barabwa julkka
Gin haru jinago naeiri dasi jinado
Gateun jari gateun mameuro eum
Geudael gidarineun han saram
Apado naneun useobobnida
Geuraedo geudae gyeote isseunikka hangsang
I saranghanaro imaeum hanalo geudael
Nado geutorog gidalyeossgie
Sarange apado nunmuri jakku heulleodo
Geudaeraseo haengboghabnida
Jugeulmankeum sarang habnida
A Korean R&B singer holds space for someone who may never arrive. The lyric treats waiting as an active state, not a passive one. It's less about hoping for change and more about maintaining a position, which gives the sadness a strange dignity.
Ali performs "You Bring Tears to My Eyes", and this lyric page sits inside the Ali catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Ali's ballad of waiting and quiet devotion", followed by the full lyric and related songs.
Yes. The related section below points to Bitch and Dem Boyz (Nelly ft. St.Lunatics,Ali,Murphy Lee,Kyjuan) with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through Ali's lyric pages.
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