Formed in 1997, they built a catalog around songs like 'Acreditar' and weathered a legal dispute over it in 2004.
For a feel of their sound, 'Paulinha' and 'Primavera' frame it well. They're straightforward, grounded songs from a group that just kept going.
They carved out a space in Brazilian music by blending roots reggae with local rhythms, a sound that held steady across their six studio albums. Tracks like 'Eu Posso Sentir' and 'Psicoceta' found a real audience without chasing trends. Their story includes that 2004 legal fight over 'Acreditar', which they kept playing through.
They started in São Paulo in 1997 and released their first album the next year. By 2010 they had put out six studio albums, including 'Acústico' in 2000 and 'Dias de Luta, Dias de Glória' in 2006. The lineup at one point included Chorão on vocals and guitar, Champignon on bass, and Rick Bonadio on drums.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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