A Korean ballad dresses up in Latin rhythm to mourn a love that left the dance floor.
A Korean ballad dresses up in Latin rhythm to mourn a love that left the dance floor.
The lyric uses the salsa's forced celebration as a cage.
All that 'la, la, la' at the end feels less like a release and more like the sound of someone trying to shout down the silence that's moved in.
A Korean ballad dresses up in Latin rhythm to mourn a love that left the dance floor.
Mandorojwo momchwo borin shigan soge
The lyric uses the salsa's forced celebration as a cage. All that 'la, la, la' at the end feels less like a release and more like the sound of someone trying to shout down the silence that's moved in.
The plea 'Mandorojwo momchwo borin shigan soge', 'Hold me tight in the time we spent together', isn't just a wish for the past. It's a person trying to physically grab onto a memory before it dissolves completely, because the present without that person is just an empty room where the music's still playing.
It's a direct, physical ask to stop time from leaking away, which makes the loneliness that follows feel more like a tangible absence than just a mood.
The way the Korean verses about loss push against the Spanish exclamations of 'Te quiero! amor mio!' gives the whole thing a bruised, desperate energy.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Baila, baila , baila, salsa! fiesta, fiesta, baila, baila, baila
Irohge kuthneyaman hana giphojin naui sarangur gudewi sumgyolloman
Jaranan ne sarangide irohge gude dorasomyon dashinun bor su obnunde otohge
Heya hanunjido morun che jaki nunmurman gaji mallago gaji mallago han madi
Marirado heyaharthende hamke hessodon shigan sogeso otno gor jeir monjo
Ijoyaharji morununde ijen otohge saraya hana on gadud namgyojin sarangur
Ijen dagaur sarangun obso gude namgin sangcho temune
Irohge kuthner sunun obso guderur boner sun obso guderu ijoya har iyurado
Mandorojwo momchwo borin shigan soge ahyoman ganun gurium gudega obnun naui
Mosub gudega do jar arthende jamkanirgoya doraorgoya gudego na animyon an
Doergoago arge doer goya uri sarangi gurohge shwibge kuthner su obdanun gor
Gurohge nar wirohejiman imi gudenun jo mankum molli nar dungjin che tonago
Ijanha ijen mogmarun bo guphumuro gidarirke gashi guderur
La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la!
Ijen na obnun gudeui mosub hengboghagir gido hessojiman naui majimag gidonun
Hangsang gude sarang nega doegir
Te quiero!!! amor mio!!
A Korean ballad dresses up in Latin rhythm to mourn a love that left the dance floor. The lyric uses the salsa's forced celebration as a cage. All that 'la, la, la' at the end feels less like a release and more like the sound of someone trying to shout down the silence that's moved in.
Baek Ji Young performs "Sad Salsa", and this lyric page sits inside the Baek Ji Young catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Baek Ji Young's Sad Salsa, a party for one", followed by the full lyric and related songs.
Yes. The related section below points to And and See You Again (feat. Richard Yongjae O’Neill) with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through Baek Ji Young's lyric pages.
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