A K-pop track where the absence of someone angelic leaves the singer lost in darkness.
A K-pop track where the absence of someone angelic leaves the singer lost in darkness.
The lyric leans hard into that angel metaphor without backing off, which gives it a raw, almost teenage sincerity.
It's less about subtlety and more about the blunt truth of needing one person to be your entire reason to keep going.
A K-pop track where the absence of someone angelic leaves the singer lost in darkness.
"eodum sogeseo nareul bichwojwo"
The lyric leans hard into that angel metaphor without backing off, which gives it a raw, almost teenage sincerity. It's less about subtlety and more about the blunt truth of needing one person to be your entire reason to keep going.
"cheonsa gateun neo" , angel-like you, isn't just flattery. It's the memory of someone who felt like salvation, now gone, leaving the singer saying "nan neobakke" (only you) and admitting "eodum sogeseo nareul bichwojwo" (shine on me in the darkness). Those words answer a specific fear: that without this person, there's no light left to live by.
Shine on me in the darkness, it's a plain request for the only light left, after everything else has gone dark. No decoration, just need.
The way "Look at me now Come to me now" breaks into the parenthetical "dasi naege dorawa eotteoke saragani nan" (come back to me, how should I live) sticks with you, it's desperate, direct.
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eodironga nareul tteonabeorin cheonsa gateun neo
I need you
eotteoke saneunji nan moreugesseo
niga tteonan ihuro michigesseo
Everyday, Everynight
jamdo jal ojil anha
hollo nama sullonama Cry
So I miss you (neol saenggakhae)
and I need you (nan Everyday)
ajikdo ni moksoriga deullyeo
dorawajwo (nan neobakke)
nae gyeoteuro (eopdaneun ge)
cheonsa gateun neo
naega saraganeun iyuneun neoya
dasin mot bol geot gata jeongmal jugeul geot gata
nareul saranghaejul sarameun neoya
eodum sogeseo nareul bichwojwo
Look at me now
Come to me now
(dasi naege dorawa eotteoke saragani nan)
Look at me now
Come to me now
(maeil niga eobsi nan eotteoke saragani nan)
niga jeongmal nal tteonal jureun mollatji
neon machi cheonsa gatasseo
na wae iri motnatji
Oh no ijen neon nal oemyeonhago
nan neol irheobeorin babo
geojigateun kkoraji
neo eobsin amugeotdo motaji
So I miss you (neol saenggakhae)
and I need you (nan Everyday)
manggajin nae moseubi chorahae
nal anajwo (nan neobakke)
nal gamssajwo (eopdaneun ge)
cheonsa gateun neo
naega saraganeun iyuneun neoya
dasin mot bol geot gata jeongmal jugeul geot gata
nareul saranghaejul sarameun neoya
eodum sogeseo nareul bichwojwo
jeongsin nagan deut hae
nan meong ttaeryeo everyday
niga tteonago nan manggajyeosseo
dorawajwo neoppunieosseo
eoseo nal guhaejwo
meomchwo jebal nae gyeoteseo
meoreojijima (tteoreojijima)
Never let you go
neoreul chatgo sipeo
eodiro eodiro eodiro eodiro ga
niga inneun geu got
A better day A better day A better day
cheonsa gateun neo
naega saraganeun iyuneun neoya
dasin mot bol geot gata jeongmal jugeul geot gata
nareul saranghaejul sarameun neoya
eodum sogeseo nareul bichwojwo
Look at me now
Come to me now
(dasi naege dorawa eotteoke saragani nan)
Look at me now
Come to me now
(maeil niga eobsi nan eotteoke saragani nan)
A K-pop track where the absence of someone angelic leaves the singer lost in darkness. The lyric leans hard into that angel metaphor without backing off, which gives it a raw, almost teenage sincerity. It's less about subtlety and more about the blunt truth of needing one person to be your entire reason to keep going.
B.A.P performs "1004 (Angel)", and this lyric page sits inside the B.A.P catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "B.A.P's 1004 (Angel) and the angel who left", followed by the full lyric and related songs.
Yes. The related section below points to Walk and No Mercy with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through B.A.P's lyric pages.
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