Page type: artist reference
Canonical path: /ddd
Lyric pages live: 14
Video embedded: yes
Artist profile
D.D.D.
D.D.D. was a Brazilian funk group from Rio de Janeiro formed in the early 2000s, with Di Menor on vocals, DJ Marcelly on turntables, and DJ Leandro producing....
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Curated by Ethan Walker
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Keep moving through D.D.D.
Jerutemoc-Smaerd -Rutumukaridu-
6 visits
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H.E.L.P.
Video on page · 3 visits
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Passa Fogo
Video on page · 3 visits
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Call Me
Video on page · 2 visits
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Get'up
Video on page · 2 visits
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Heart
Video on page · 2 visits
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Jerutemoc-smaerd -rutumukaridu
2 visits
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Kokoro No Tobira
Video on page · 2 visits
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Lovin’ You
2 visits
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My Destiny
Video on page · 2 visits
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Negai ~wishing~
Video on page · 2 visits
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Treasure
Video on page · 2 visits
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ddddfff
Video on page · 2 visits
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Lovin' You
Video on page · 1 visits
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Background notes
Archive material and source history
D.D.D. was a Brazilian funk group from Rio de Janeiro formed in the early 2000s, with Di Menor on vocals, DJ Marcelly on turntables, and DJ Leandro producing. They released albums like 'O Som da Cidade' in 2003 and 'A Verdadeira Face do Funk' in 2006.
Their music mixed funk with hip-hop elements and straightforward lyrics about everyday struggles in Brazilian cities. Songs like 'H.E.L.P.' and 'Call Me' carried their rhythmic style while touching on social themes that resonated in their communities. The group's sound was built around Di Menor's raw vocal delivery and DJ Leandro's layered beats.
D.D.D. faced legal issues and threats over some of their more pointed lyrics, but they kept recording through the 2000s. They put out 'A Voz do Morro' in 2008, and tracks such as 'Kokoro No Tobira' showed their range within the funk framework. Their work found an audience particularly among listeners who saw their music as speaking to urban Brazilian experiences.
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The Start here section opens with Jerutemoc-Smaerd -Rutumukaridu-, H.E.L.P., and Passa Fogo so you can move through the artist's stronger lyric pages first.
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LyroVerse currently has 14 visible lyric pages for D.D.D..
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