Death In June
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Death In June

Death In June formed in 1981, with Douglas Pearce as the central figure after his time in the experimental post-punk group Current 93. Their sound pulled from...

album102 lyric pages photo_library27 photos groups18 listeners here now Editor's note live
person Curated by Ethan Walker LyroVerse team
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Editor's note

Death In June's stark, symbolic folk-industrial sound

Douglas Pearce's project blends acoustic folk, martial percussion, and unsettling atmospheres.

For a sense of their stark, symbolic terrain, try "The Calling" or "She Said Destroy." They frame the project's uneasy blend of folk and industrial atmospheres.

Death In June's music, like "The Calling" or "The Glass Coffin," creates a sparse, atmospheric world that feels deliberately stark. It pulls from folk and industrial elements to explore uneasy, symbolic terrain, as heard in songs such as "But, What Ends When The Symbols Shatter." Their work has maintained a persistent presence in gothic and post-industrial scenes since forming in 1981.

Death In June formed in 1981 with Douglas Pearce as the central figure after his time in Current 93. Their lineup has shifted frequently around Pearce, with collaborators like Coil and Boyd Rice, and albums like "The Guilty Have No Pride" from 1983. The sound evolved into sparse, atmospheric pieces built around Pearce's vocals and acoustic guitar with martial percussion.

edit_note Ethan Walker · LyroVerse team · Apr 20
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102 lyric pages live 27 photos available Editor's note live Video on page
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Death In June formed in 1981, with Douglas Pearce as the central figure after his time in the experimental post-punk group Current 93. Their sound pulled from folk, ambient, and martial industrial, creating sparse, atmospheric pieces like "The Glass Coffin" and "Rose Clouds Of Holocaust." The music often feels deliberately stark, built around Pearce's vocals and acoustic guitar with occasional martial percussion.

Pearce has typically responded that the work is meant to provoke thought rather than promote violence. Songs such as "But, What Ends When The Symbols Shatter" and "Come Before Christ And Murder Love" reflect this uneasy, symbolic terrain.

The band's lineup has shifted frequently around Pearce, with Patrick Leagas, John Murphy, and Albin Julius among those who have passed through. They've also collaborated with artists like Coil, Current 93, and Boyd Rice. Their discography is extensive, including albums like "The Guilty Have No Pride" from 1983 and "Nada!" from 1985.

Within certain music circles, particularly gothic and post-industrial scenes, Death In June's work has maintained a persistent presence. Tracks like "She Said Destroy" and "My Little Black Angel" continue to surface in niche playlists and discussions, long after their initial release.

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Where should I start with Death In June on LyroVerse?

The Start here section opens with 13 Years of Carrion, A Slaughter Of Roses, and All Pigs Must Die so you can move through the artist's stronger lyric pages first.

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LyroVerse currently has 102 visible lyric pages for Death In June.

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Does LyroVerse have an editor's note for Death In June?

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