Eartheater

Eartheater is the project of Alexandra Drewchin, who started releasing music around 2015 with an EP called 'Metalepsis.' Her work since then has included albums like 'Trinity' from 2019, which features tracks such as 'Fantasy Collision' and 'Volcano.' The music tends toward experimental electronics with layered vocals, avoiding straightforward pop structures.

She has worked with other artists including Björk and Arca, though Eartheater remains primarily her own solo endeavor. Drewchin's lyrics often touch on personal themes like identity and body image, heard in songs like 'Faith Consuming Hope' and 'Below The Clavicle.' Her performances have appeared at festivals like Coachella and Sonar, as well as at venues such as Tate Modern.

Rather than aiming for broad commercial appeal, Eartheater's music operates in a more niche experimental space. It's the kind of work that draws a dedicated following without trying to smooth out its rougher, more abstract edges. For listeners familiar with artists like Arca or Lyra Pramuk, Eartheater fits into that sphere of avant-garde electronic vocal music.