The Korean group's studio introduction sets up their 2001 comeback with playful banter and anticipation.
The Korean group's studio introduction sets up their 2001 comeback with playful banter and anticipation.
What sticks is how the lyric treats the studio not as a sacred space but as a workplace where concepts get finished and new ones begin.
The back-and-forth about 'shilsuhangeo' and 'saenggangnan shilsu' feels like actual production talk, not performance.
The Korean group's studio introduction sets up their 2001 comeback with playful banter and anticipation.
hyeong ije eonjekkaji galkka?
What sticks is how the lyric treats the studio not as a sacred space but as a workplace where concepts get finished and new ones begin. The back-and-forth about 'shilsuhangeo' and 'saenggangnan shilsu' feels like actual production talk, not performance.
When Jo Gyunggoo asks 'hyeong ije eonjekkaji galkka?' and gets the response 'nado jal moreugesseo,' you hear that honest uncertainty about how long this will last. They're not pretending to have a master plan, just admitting they don't know when it ends either. The 'geureogetjji?' that follows hangs there like a question they're asking themselves as much as anyone.
It's a plain question about duration that anyone in a long recording session might ask, delivered without drama. The uncertainty feels real, not staged for effect.
The way 'ji-odi' gets repeated at the start sounds like someone testing levels or just filling dead air before the real conversation begins.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Ji-odi ji-odi ji-odi ji-odi ji-odi....
Jo Gyunggoo) Yeoreobun annyeonghashimnikka
yeogineun ji-odi konseoteuga yeolligo inneun jamshil jugyeonggijang imnida
manheun paendeulgwa gijadeureun konseoteureul kkeunnaego na-ol ji-odireul gidarigo inneundeyo..
ne! jigeum ji-odiga na-ogo itsseumnida.
ji-odi annyeonghaseyo. oneul konseoteureul kkeunnaneunde gibuni eotteoseyo?
GOD) ne neomu johayeo
Jo Gyunggoo) jigeum mak konseoteureul kkeunnaeneunde gibuni eotteoseyo?
GOD) ne.. deo yeolshimhi hagetsseumnida..
Jo Gyunggoo) hanaman mureobogetsseumnida da-eum ji-odi konseoteu ga eonjejyeo?
GOD) amadu..
Yeoja) ibeon konseoteu-e shilsuhangeo isseuseyeo?
GOD) mweoragoyeo?
Yeoja) konseoteu-eseo saenggangnan shilsu isseuseyeo?
GOD) amteun yeolshimhi hagetsseumnida..
hyeong ije eonjekkaji galkka?
geulsse? nado jal moreugesseo...
hajiman bunmyeonghi eonjengan kkeunnalkkeoya
geureogetjji? geureomyeon geuda-eumen urin mweolkka?
The Korean group's studio introduction sets up their 2001 comeback with playful banter and anticipation. What sticks is how the lyric treats the studio not as a sacred space but as a workplace where concepts get finished and new ones begin. The back-and-forth about 'shilsuhangeo' and 'saenggangnan shilsu' feels like actual production talk, not performance.
G.O.D. performs "Intro (4th)", and this lyric page sits inside the G.O.D. catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "G.O.D.'s 'Intro (4th)' opens their fourth album", followed by the full lyric and related songs.
Yes. The related section below points to One Candle and Ee reoh keh doh with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through G.O.D.'s lyric pages.
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