A sharp, bilingual track where playful taunts meet a warning about crossing lines.
A sharp, bilingual track where playful taunts meet a warning about crossing lines.
The lyric uses innocence as a weapon, framing the other person's "innocent" stance as naive while claiming her own "fucking crazy" as power.
It turns a pop structure into a territory dispute, where being called crazy is the point of leverage.
A sharp, bilingual track where playful taunts meet a warning about crossing lines.
neon innocent nan fucking crazy
The lyric uses innocence as a weapon, framing the other person's "innocent" stance as naive while claiming her own "fucking crazy" as power. It turns a pop structure into a territory dispute, where being called crazy is the point of leverage.
The repeated "beg for mercy" isn't a plea, it's a command. When she says "geuman gullyeo janmeori" (just beg for mercy, you idiot), the pressure isn't about surrender; it's about forcing someone to admit they've lost control. Those words answer the vanity of thinking you can outplay her.
It flips the script on who holds the moral high ground, making innocence sound foolish and chaos sound like strategy. The English phrase lands like a door slamming in the middle of the conversation.
The way "fucking crazy" cuts through the Korean verses lingers, a blunt switch that feels less like translation and more like a shift in tone.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
geurae geureohgessji geuraessgessji geureom dwaessji
ni maldaeromyeon neon innocent
nan fucking crazy
geurae anigessji anyeossgessji anim dwaessji
But you better watch out
kkoriga gilmyeon balphineun beop
aradeutgessji
ja aju swipge malhaejulkke ni mareun
ap dwiga jeonhyeo majjil anheo
jogeumdo gatji anheo
johge malhal ttae bureo
imi naemsaega punggyeo
soljikhi teoreonohgo beg for mercy
geuman gullyeo janmeori
Beg for mercy
geuman gullyeo janmeori
Just beg for mercy
gullyeobwaya dolmeori
geurae geureohgessji geuraessgessji geureom dwaessji
ni maldaeromyeon neon innocent
nan fucking crazy
geurae anigessji anyeossgessji anim dwaessji
But you better watch out
kkoriga gilmyeon balphineun beop
aradeutgessji
nuna hwanamyeon museowo
neon ajikkkajineun gwiyeowo
jomman deo hamyeon jigyeowo
nuna hwanamyeon museowo aradeutgessji
neon gaman isseossneunde gyaedeuri kkorireul
sallangsallang heundeureodaessji
neon geunyang saljjak hokhaessji
aigu ijewa ureo
jinagadeon gyaega useo
sogajulli eopseunikka beg for mercy
daboyeo ni sogi
Beg for mercy
da boyeo ni sogi
Just beg for mercy
jibeochiwo gaesori
geurae geureohgessji geuraessgessji geureom dwaessji
ni maldaeromyeon neon innocent
nan fucking crazy
geurae anigessji anyeossgessji anim dwaessji
But you better watch out
kkoriga gilmyeon balphineun beop
aradeutgessji
neon nae sonbadak aneseo nol ttaega jeil gwiyeowo
nan ni meori wi johge malhal ttae eoseo gieowa
mwo miri gyeonggohaneunde neo gyesok geureomyeon nuna yeol bada
meori geuman gullyeo yo think you’re Moby Dick?
ni saenggak da deullyeo catch me if you can!
Fuck, boy, I’m Frank Abagnale
jijji malgo yeppeuge ttarawa
geureom mohitto gaseo moldibeu han jan ttak 10cho junda
geurae geureohgessji geuraessgessji geureom dwaessji
ni maldaeromyeon neon innocent
nan fucking crazy
geurae anigessji anyeossgessji anim dwaessji
But you better watch out
kkoriga gilmyeon balphineun beop
aradeutgessji
nuna hwanamyeon museowo
neon ajikkkajineun gwiyeowo
jomman deo hamyeon jigyeowo
nuna hwanamyeon museowo aradeutgessji
A sharp, bilingual track where playful taunts meet a warning about crossing lines. The lyric uses innocence as a weapon, framing the other person's "innocent" stance as naive while claiming her own "fucking crazy" as power. It turns a pop structure into a territory dispute, where being called crazy is the point of leverage.
HA:TFELT performs "Get It? (feat. Younha & Cheetah)", and this lyric page sits inside the HA:TFELT catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "HA:TFELT's Get It? with Younha and Cheetah", followed by the full lyric and related songs.
Yes. The related section below points to Bond (feat. Beenzino) and How To Love with a short reason for opening each page next.
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