A Russian duo blending classical piano, unconventional song structures, and electronic touches.
For a good sense of their range, try 'I Came Before the Water (Pt.II)' and 'Circles'. They frame the duo's chamber-prog approach pretty clearly.
They've carved out a space where chamber music meets progressive rock, with songs that don't follow conventional paths. Tracks like 'Libretto Horror' and 'Clear Clearer' show their willingness to work with darker themes and electronic elements. Their music draws both admiration and criticism for being experimental, which says something about the ground they're covering.
Formed in the late 2000s around vocalist Marjana Semkina and guitarist Gleb Kolyadin, they started with songs that avoided conventional structures. Later albums like 'Belighted' and 'Lighthouse' introduced darker themes and electronic touches, leading up to their most recent work, 'The Bell'.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
Sign in to post the first listener note. Reporting stays open to everyone.