A K-pop soloist's bilingual plea for distance that keeps circling back to the same sorry.
A K-pop soloist's bilingual plea for distance that keeps circling back to the same sorry.
What's sharp here is how the scent motif works.
It's not a romantic memory but a physical residue that won't fade, something that 'deeply sticks' to the body and triggers the same old reactions.
A K-pop soloist's bilingual plea for distance that keeps circling back to the same sorry.
mianhada maldo geojitmal
What's sharp here is how the scent motif works. It's not a romantic memory but a physical residue that won't fade, something that 'deeply sticks' to the body and triggers the same old reactions. The apology isn't about fixing things; it's about marking time until loneliness feels acceptable.
The phrase 'mianhada maldo geojitmal', 'sorry, even my words are lies', does the heavy lifting. It's not just an apology; it's an admission that the apology itself is part of the problem, that saying 'I'm sorry' has become another empty habit in a relationship that's already gone stale. The speaker knows he's lying even as he speaks, which makes the whole exchange feel futile and a little desperate.
That admission cuts through the song's polite surface. When someone says their own apology is a lie, they're confessing they've run out of real words, that the relationship has been reduced to scripted lines nobody believes anymore.
The way 'I'm so sorry babe' gets sandwiched between Korean verses, almost like a reflexive tic that interrupts the real conversation.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
(Tell me what you want)
(Tell me what you want)
I’m so sorry babe
iksukhan hyangiga na-egeseo
I’m so sorry babe
jebal uri shigan jwo gaji jado
na jigyeowo jigyeowo neoye hyangiga
naye mome gipsukhi deo maemdol ttae
I’m so sorry babe
I’m so sorry babe
Let’s take a time till we’re lonely
ajik baneung hago ittneun jigeum neo-ege
Let’s take a time till we’re lonely
nan neon neul wihae hal su eopge mandeune
mianhada maldo geojitmal
I’m sorry babe
neoreul deoneun wonhaji anha
I don’t want it
mianhada maldo geojitmal
I’m sorry babe
i malbakke hal su eomneun nareul mianhae
geurae majjyo neoneun na-ege yoksseo
iraedo dwena nae gyoreul jagyeok mattanghae
michin saekkirago malhae jwodo dwae
naneun hante naege michin sarami-eosseo
neoreul tteona gyeo gago shipji anh
neoye gwanhan geoseun modu jiwo beoryeosseo
ajik hyanggi maemdora naega nareul
michidorok mitgo shireohal jeongdoro
Don’t wanna playback nareul nae beoryeodwo hollo
Don’t wanna playback nareul nae beoryeodwo hollo
Let’s take a time till we’re lonely
ajik baneung hago ittneun jigeum neo-ege
Let’s take a time till we’re lonely
nan neon neul wihae hal su eopge mandeune
mianhada maldo geojitmal
I’m sorry babe
neoreul deoneun wonhaji anha
I don’t want it
mianhada maldo geojitmal
I’m sorry babe
i malbakke hal su eomneun nareul mianhae
A K-pop soloist's bilingual plea for distance that keeps circling back to the same sorry. What's sharp here is how the scent motif works. It's not a romantic memory but a physical residue that won't fade, something that 'deeply sticks' to the body and triggers the same old reactions.
I.M (Changkyun) performs "Scent", and this lyric page sits inside the I.M (Changkyun) catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "I.M's Scent and the apology that won't stick", followed by the full lyric and related songs.
Yes. The related section below points to Burn and God Damn with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through I.M (Changkyun)'s lyric pages.
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