Page type: artist reference
Canonical path: /ivo-meirelles
Lyric pages live: 12
Photos available: 1
Video embedded: yes
Artist profile
Ivo Meirelles
Ivo Meirelles came up through Rio de Janeiro's local music circuit, forming his first band, Ivo Meirelles e Seu Bloco, when he was 14. In the early 1980s, he...
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Curated by Ethan Walker
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The pages that open this catalog up fastest
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A Namorada
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Andança
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Bangu 1 X Polícia 0
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Codinome Beija Flor
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Como Eu Quero
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Em Dezembro de 81 (part. Rodrigo Santos, Kiko Zambianchi, MC Koringa, Leo Jaime e Dado Dolabella
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Artist at a glance
The fast read
12 lyric pages live
1 photo available
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Photos
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Songs in focus
Keep moving through Ivo Meirelles
A Namorada
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Andança
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Bangu 1 X Polícia 0
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Codinome Beija Flor
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Como Eu Quero
Video on page · 2 visits
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Em Dezembro de 81 (part. Rodrigo Santos, Kiko Zambianchi, MC Koringa, Leo Jaime e Dado Dolabella
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Fullgás
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Me Chama
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Meu Erro
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Perreché do Brasil
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Pintura Íntima
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Swing Man
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Background notes
Archive material and source history
Ivo Meirelles came up through Rio de Janeiro's local music circuit, forming his first band, Ivo Meirelles e Seu Bloco, when he was 14. In the early 1980s, he worked with composer Moraes Moreira on what became his most recognized song, 'Em Dezembro de 81.'
His music often addressed political themes, and in 1990 he was arrested for criticizing the government's handling of poverty.
He kept recording and performing, with songs like 'A Namorada' and 'Bangu 1 X Polícia 0' appearing in his catalog. His work stayed grounded in Brazilian rhythms while speaking plainly about the world around him.
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Where should I start with Ivo Meirelles on LyroVerse?
The Start here section opens with A Namorada, Andança, and Bangu 1 X Polícia 0 so you can move through the artist's stronger lyric pages first.
How many lyric pages are live for Ivo Meirelles?
LyroVerse currently has 12 visible lyric pages for Ivo Meirelles.
Does Ivo Meirelles have photos on LyroVerse?
Yes. There are 1 photo available, and the preview gallery on this page links to the full photos section.
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