An Irish singer whose recordings of sacred and folk material kept the focus on her voice.
For a sense of her style, try 'O'Donaghue's Mistress' or 'The Wexford Carol.' They show how she handled traditional material with that unadorned voice.
Her 1986 version of 'Good King Wenceslaus' became her most widely heard recording, but her catalog includes songs like 'O'Donaghue's Mistress' and 'The Wexford Carol.' She worked with musicians including pianist Paul Keane and cellist Martin Hayes, often using sparse arrangements that let her clear, direct delivery stand out.
She started recording in the early 1980s and put out her first album, 'A Touch of Heaven,' in 1984. Through the 1990s, she released albums like 'The Spirit of Ireland' and 'Ave Maria,' with a 2000 compilation gathering some of these recordings.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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