A singer-songwriter who builds consistent, darkly textured music without chasing trends.
If you're new to her work, start with 'Banshee' for that early atmospheric quality, then check out 'How You Want It' to hear how her sound holds together across different recordings.
Morris makes music that holds its own mood, whether it's the atmospheric pull of 'Banshee' or the band-driven tension in 'Spitting Teeth'. She cites Janis Joplin and Fiona Apple as influences, but her sound feels like its own thing, a little gothic, a little bluesy, never quite fitting a neat genre box. Songs like 'How You Want It' and 'Nothing' show she's built a catalog that doesn't waver much from that core tone.
She put out her debut EP 'Banshee' in 2017, then followed with the full-length 'The Dark Hour' in 2019. Since then, she's worked with a steady band, guitarist Ethan James, bassist Jake Carter, drummer Emily Price, on tracks like 'Concrete Waves' and 'Spitting Teeth'. There haven't been big style shifts or commercial breaks, just a slow build of songs that all share a similar dark, textured feel.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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