A Japanese track where the singer is trapped in her own reflection, screaming for someone only she can hear.
A Japanese track where the singer is trapped in her own reflection, screaming for someone only she can hear.
Most rescue songs position the singer as the one in need of saving.
This one flips it: the narrator is shouting that she's here to do the rescuing, but she's trapped in a scenario where that offer is meaningless unless the other person acknowledges it.
A Japanese track where the singer is trapped in her own reflection, screaming for someone only she can hear.
"Anata shika kikoe nai"
Most rescue songs position the singer as the one in need of saving. This one flips it: the narrator is shouting that she's here to do the rescuing, but she's trapped in a scenario where that offer is meaningless unless the other person acknowledges it. The vanity is in believing your own desperate offer is the solution, even as you're the one going under.
The repeated plea 'Onegai rescue me' isn't a request for a hero. It's the sound of someone whose voice has been hoarse from screaming 'Tasukedashi te koko ni iru yo', I'm right here to save you, but the only person who can hear it is the one they're calling for. The words answer a specific, claustrophobic fear: that your devotion can become a fire that consumes you, and the person you love is both the flame and the only possible extinguisher.
It grounds the entire drama. The screaming isn't for an audience or for catharsis; it's a direct line to one person who might not be listening, making the isolation absolute.
The way 'Anata shika kikoe nai', only you can hear this, hangs in the air after each cry. It turns the whole performance into a private, possibly futile conversation.
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Tachidomatta show window
Mabushii gurasu ni utsuru
Watashi no naka ni wa watashi wa mō I nai
Nani o shite te mo anata no kage ga
Sowa ni I te kie naku te kiese naku te
Mune no fukai yami ni nigekon da mama
Derare naku natte shimatta no
Nē
Tasukedashi te koko ni iru yo
Anata shika kikoe nai
Koe o karashi te sakenderu noni
Kowaku te tada furue teru yo
Mō iki mo deki nai
Onegai rescue me
Kirameku machi nami
Sawagashii hito no nami
Koibito tachi wa waratte
Shiawase o kisoiatte
Kusubutta mama no anata e no ai no chīsana hi ga
Kie naku te kiese naku te
Namida sae kare te kawai ta kokoro ni
Hi o tsuke te shimatta no
Wow nē
Tasukedashi te koko ni iru yo
Anata shika kikoe nai
Koe o karashi te sakenderu noni
Honoo ni ima nomikomare te
Mō iki mo deki nai
Onegai rescue me
Yukue fumei ni natta watashi o ima
Sagashidaseru hito wa wow
Anata shika I nai
Anata shika I nai
Wow
Tasukedashi te koko ni iru yo
Anata shika kikoe nai
Koe o karashi te sakenderu noni
Wow kowaku te tada furue teru yo
Mō iki mo deki nai
Onegai rescue me
Tasukedashi te koko ni iru yo
Anata shika kikoe nai
Koe o karashi te sakenderu noni
Honoo ni ima nomikomare te
Mō iki mo deki nai
Onegai rescue me
Ohh rescue me, ohh rescue me
A Japanese track where the singer is trapped in her own reflection, screaming for someone only she can hear. Most rescue songs position the singer as the one in need of saving. This one flips it: the narrator is shouting that she's here to do the rescuing, but she's trapped in a scenario where that offer is meaningless unless the other person acknowledges it.
TAEYEON performs "Rescue Me", and this lyric page sits inside the TAEYEON catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "TAEYEON's Rescue Me and the voice that can't reach", followed by the full lyric and related songs.
Yes. The related section below points to Do You Love Me? and Blue with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through TAEYEON's lyric pages.
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