A Texas-born songwriter who made Christian themes sound raw and unsettled in the late 1960s and '70s.
If you want to hear what made him unsettling, try 'Forget Your Hexagram' or 'Why Should The Devil Have All The Good Music.' They're blunt, a little ragged, and don't pretend to have answers.
Norman's 1967 debut 'Upon This Rock' was startling for its directness at a time when Christian music rarely sounded like that. Songs like 'Why Should The Devil Have All The Good Music' and 'Forget Your Hexagram' didn't fit neatly into either church or rock radio, which is exactly why they still surface in conversations about doubt. He wasn't offering comfort so much as confrontation.
He started with 'Upon This Rock' in 1967, then released 'The Outlaw' in 1973, an album that openly questioned religious hypocrisy. His catalog eventually grew to over 100 albums across folk, rock, and electronic styles, often working with musicians like Randy Stonehill.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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