A Japanese pop-rock track that finds hope in the simple fact of someone being there.
A Japanese pop-rock track that finds hope in the simple fact of someone being there.
The lyric works by accumulation, not argument.
It keeps returning to 'anata ga ite' as if checking a pulse, building a world where one person's existence rearranges the math of smiles and tears.
A Japanese pop-rock track that finds hope in the simple fact of someone being there.
Anata ga ite, anata to ite
The lyric works by accumulation, not argument. It keeps returning to 'anata ga ite' as if checking a pulse, building a world where one person's existence rearranges the math of smiles and tears. That repetition does the heavy lifting, making the gratitude feel earned through sheer insistence.
The phrase 'Kibou to iu hana ga saita', 'a flower called hope bloomed', answers a specific dryness. It lands after 'akirame kakete kawaita kokoro ni,' a heart dried up from giving up. The hope isn't a grand plan; it's just a flower that sprouted in parched ground, which feels more like a quiet fact than a triumph.
Those words frame everything. They're less a romantic declaration and more a grounding statement, the song's bedrock. Everything else, the lost smiles, the crossed seas, stems from that simple fact of presence.
The way 'La la la la' trails off at the end, after all those earnest verses, gives it a slight, unpolished release.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Anata ga ite, anata to ite
Moshimo konoyo ni anata ga
Sonzai shite inakattara
Hyaku aru egao no uchi
Sukunakutomo yonjuu wa nakunaru
Moshimo chikyuu no uragawa
Anata ga iru to wakattara
Nakunatta yonjuu no egao
Torimodosu tame umi wo watarou
Anata no namida ga ame ni naru
Anata no kotoba ga kaze ni naru
Akirame kakete kawaita kokoro ni
Kibou to iu hana ga saita
Ah kizuite hoshii
Kono uta no imi wo shitte hoshii
Boku ni totte konnanimo
Daiji de hitsuyou na hito
Anata ga ite, anata to ite
Konnani shiawase ni naru yo
Wasurenaide, sono nukumori
Hoka no dare demo nai anata
Ano namida mo, sono egao mo
Ano namida mo, sono egao mo
Kono musuu ni aru deai no naka
Guuzen anata to tsunagatta
Moshimo deaete nakattanara
Yume sura motete nakatta
Itsunomanika anata no egao ga
Kawaranai hontou no ibasho
Kokoro kara sasaerarete iru
Dakara boku wa waratte irareru
Tomoni toomawari tokamo shitakedo
Tadottekita yume no ashiato
Mukashi kara kawarazu ima demo
Takusan no yuuki wo arigatou
Furikaerazu ni mata mae e to
Korekara mo kasanete iku toshi
Boku ni wa uta shika nai keredo
Zutto mimamotte hoshii
Anata ga ite, anata to ite
Konnani shiawase ni naru yo
Wasurenaide, sono nukumori
Hoka no dare demo nai anata
Kono sekai de, hitori dake no
Anata ni deaeta kiseki ga
Konna boku wo, yuuki zukeru
Chikara ga anata ni wa aru no
Itsumo aishite kureta hito yo
Boku ni ima nanika dekiru nara
Sagashiteita mirai no hi wo
Anata to wakachiaitai
Anata ga ite, anata to ite
Konnani shiawase ni naru yo
Wasurenaide, sono nukumori
Hoka no dare demo nai anata
Kono sekai de, hitori dake no
Anata ni deaeta kiseki ga
Konna boku wo, yuuki zukeru
Chikara ga anata ni wa aru no
Anata ga iru, anata to iru
Anata ga iru, anata to iru
La la la la
A Japanese pop-rock track that finds hope in the simple fact of someone being there. The lyric works by accumulation, not argument. It keeps returning to 'anata ga ite' as if checking a pulse, building a world where one person's existence rearranges the math of smiles and tears.
LEDApple performs "Kibou No Uta", and this lyric page sits inside the LEDApple catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "LEDApple's Kibou No Uta, a song of gratitude and presence", followed by the full lyric and related songs.
Yes. The related section below points to Let The Wind Blow and How Dare You with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through LEDApple's lyric pages.
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