Page type: artist reference
Canonical path: /luciano-salvador-bahia
Lyric pages live: 8
Photos available: 1
Video embedded: yes
Artist profile
Luciano Salvador Bahia
Luciano Salvador Bahia is a Brazilian composer, singer, and multi-instrumentalist from Salvador, Bahia. His father was a percussionist and his mother a...
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Curated by Ethan Walker
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A Noite de Ontem Nunca Aconteceu
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Afobado
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As Bambas
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Consideração
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Júlia
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Nem Venha
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Artist at a glance
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8 lyric pages live
1 photo available
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A Noite de Ontem Nunca Aconteceu
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Afobado
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As Bambas
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Consideração
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Júlia
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Nem Venha
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Queda
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Tango do Mal (feat. Eduardo Dussek)
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Background notes
Archive material and source history
Luciano Salvador Bahia is a Brazilian composer, singer, and multi-instrumentalist from Salvador, Bahia. His father was a percussionist and his mother a singer, which gave him an early connection to Afro-Brazilian traditions. He started writing and performing young, drawing inspiration from artists like Jorge Ben Jor, Gilberto Gil, and Caetano Veloso.
In the early 2000s, Bahia released his debut album 'Nação Zumbi,' which mixed traditional African rhythms with electronic and experimental sounds. His second album, 'Lunático,' included the track 'Tango do Mal' featuring Eduardo Dussek.
Beyond 'Tango do Mal,' Bahia has other notable songs like 'A Noite de Ontem Nunca Aconteceu,' 'Afobado,' 'As Bambas,' and 'Consideração.' His work continues to blend Afro-Brazilian roots with electronic and jazz elements, though he tends to avoid the spotlight that followed his early success.
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Where should I start with Luciano Salvador Bahia on LyroVerse?
The Start here section opens with A Noite de Ontem Nunca Aconteceu, Afobado, and As Bambas so you can move through the artist's stronger lyric pages first.
How many lyric pages are live for Luciano Salvador Bahia?
LyroVerse currently has 8 visible lyric pages for Luciano Salvador Bahia.
Does Luciano Salvador Bahia have photos on LyroVerse?
Yes. There are 1 photo available, and the preview gallery on this page links to the full photos section.
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