Page type: artist reference
Canonical path: /luiz-carlos-aranda
Lyric pages live: 50
Photos available: 1
Video embedded: yes
Artist profile
Luiz Carlos e Aranda
Luiz Carlos e Aranda formed in the early 1970s in Rio Verde de Mato Grosso. They were discovered by producer Arnaldo Saccomani in 1976 and signed to Som...
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Curated by Ethan Walker
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50 lyric pages live
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Eu Boto é Pra Ferver
2 visits
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Galera Coração
2 visits
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100% Você
1 visits
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60 Dias Apaixonado / Fazenda São Francisco
1 visits
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A Carne É Fraca
1 visits
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Alguém Me Disse
1 visits
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Alô,Tô Num Bar
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Amigo Apaixonado
1 visits
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Amor Perfeito
1 visits
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Amor de Faculdade
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Ao Vivo e Em Cores
1 visits
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Argentina
1 visits
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Aí Nóis Tá Fudido
1 visits
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Boate Azul
1 visits
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Cachaça
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Cavalo Enxuto
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Background notes
Archive material and source history
Luiz Carlos e Aranda formed in the early 1970s in Rio Verde de Mato Grosso. They were discovered by producer Arnaldo Saccomani in 1976 and signed to Som Livre. Their debut album featured the songs '60 Dias Apaixonado' and 'Fazenda São Francisco,' which became their breakthrough.
Their music stayed rooted in sertanejo traditions. Songs like 'Me Deixa Explicar' and '100% Você' maintained a straightforward, heartfelt quality that connected with listeners. In the 1990s, they faced a copyright dispute over '60 Dias Apaixonado' that briefly affected its radio play.
They recorded over twenty studio albums during their career. Other tracks like '200 Por Hora' and 'A Carne É Fraca' continued in their established style without dramatic shifts in sound or approach.
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Where should I start with Luiz Carlos e Aranda on LyroVerse?
The Start here section opens with Eu Boto é Pra Ferver, Galera Coração, and 100% Você so you can move through the artist's stronger lyric pages first.
How many lyric pages are live for Luiz Carlos e Aranda?
LyroVerse currently has 50 visible lyric pages for Luiz Carlos e Aranda.
Does Luiz Carlos e Aranda have photos on LyroVerse?
Yes. There are 1 photo available, and the preview gallery on this page links to the full photos section.
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