His tracks became anthems for people who felt overlooked in his corner of Brazil.
For the raw feel, 'Ninguém Gosta de Mim' still hits. 'Diário de um Detento' shows how he turned neighborhood stories into something people recognized.
When 'Ninguém Gosta de Mim' caught on in São Paulo, it wasn't just another track. It gave voice to a specific feeling of being disliked that people recognized from their own lives. Songs like 'Como Você Gosta?' and 'Foda-se o Mundo' kept that same grounded, unapologetic perspective.
He came up in São Paulo with 'Ninguém Gosta de Mim' in 2014, an album that shared its name with the breakout song. By 2017's 'Não Sou Anjo', he was still writing about what he saw around him, without much polish or apology.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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