A plea to hear someone out completely, even when the words are difficult.
A plea to hear someone out completely, even when the words are difficult.
There's a raw honesty in how the song frames communication as an act of endurance.
The lyric doesn't offer resolution or blame; it simply holds space for the difficulty of saying what needs to be said, especially when "mal do an dwe nun mal du lo", with words that can't become words.
A plea to hear someone out completely, even when the words are difficult.
"Non non ut gi ji jom ma"
There's a raw honesty in how the song frames communication as an act of endurance. The lyric doesn't offer resolution or blame; it simply holds space for the difficulty of saying what needs to be said, especially when "mal do an dwe nun mal du lo", with words that can't become words.
"Non non ut gi ji jom ma" , listen to the end, acts as both a request and a boundary. It's not just about hearing words; it's asking the other person to stay present through the messy, tearful parts, the "nun mu run shi ro" where the singer says their own song is crying. That pressure to be fully heard, without interruption or judgment, gives the lyric its quiet urgency.
It's the title and the anchor, a simple, repeated request that contains the whole song's weight. Everything else unfolds from that need to be heard completely.
The way "Sa rang han dan", because I loved you, hangs in the air after the plea to listen. It feels less like an explanation and more like a fragile, offered truth.
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Non non ut gi ji jom ma
Non non ut gi ji jom ma
Tok ba ro se gyo du ro
No e ge hal ma ri i so
Dang jang
Cham ul man kum cham ma so
I de ron sal su ga ob so
Jong mal
Nan de che no e ge ot ton
Nyo jal gi le
Du rot da nwat da jang nan chi ni
Sa rang i swi wo do
O jom gu ri swim ni
Gu rok ke man man ha ni
Non non ut gi ji jom ma
Sa rang han dan
Mok so ri nun ji bo cho
Sul de ob shi we to me
Dal i ni, da shin nal
Je bal gwi chan ke gul ji ma
Nan nan nan jong mal shi ro
No te mu ne, so dat don
Nun mu run shi ro
No ga tu ne song i nun
Na ga tun
Yo jal man nal ja gyok ob so
Oh ho..
Woh.. oh oh woh..
Mal do an dwe nun mal du lo
Ga shik jo gin nun mu lo
No mo ga ryo ha ji ma
I jen ji cho so
Non de che ol man kum
Seng ga gi op gi le
Pon pon nan go jit mal man ha ni
Ne ma re so ga jun
Ne ga gu ri swim ni
Gu rok ke ba bo gat ni
Non non ut gi ji jom ma
Sa rang han dan
Mok so ri nun ji bo cho
Sul de ob shi we to me
Dal i ni, da shin nal
Je bal gwi chan ke gul ji ma
Nan nan nan jong mal shi ro
No te mu ne so dat don
Nun mu run shi ro
No ga tu ne song i nun
Na ga tun
Yo jal man nal ja gyok ob so
Gyo u i rol lyo go
Na rul ul li ryo go
Chom bu to, ne ge on gon ni
I je ra do pa li
Ji gyo wot don shi gan dul
Da ga jo ga
Oh..
Oh..
Da ga jo ga
Ee- yah
Ha..
Da shin na ta na ji ma
Non non ut gi ji jom ma
Sa rang han dan
Mok so ri nun ji bo cho
Sul de ob shi we to me
Dal i ni, da shin nal
Je bal gwi chan ke gul ji ma
Nan nan nan jong mal shi ro
No te mu ne so dat don
Nun mu run shi ro
No ga tu ne song i nun
Na ga tun
Yo jal man nal ja gyok ob so
Oh ho..
Woh.. oh oh woh..
Non non ut gi ji jom ma
A plea to hear someone out completely, even when the words are difficult. There's a raw honesty in how the song frames communication as an act of endurance. The lyric doesn't offer resolution or blame; it simply holds space for the difficulty of saying what needs to be said, especially when "mal do an dwe nun mal du lo", with words that can't become words.
NAVI performs "Listen To The End", and this lyric page sits inside the NAVI catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "NAVI's Listen To The End in Korean and English", followed by the full lyric and related songs.
Yes. The related section below points to Well Done and Surprised with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through NAVI's lyric pages.
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