A restless songwriter who moved from Buffalo Springfield to solo work, Crazy Horse, and decades of shifting sounds.
For a quick sense of his sound, try 'Cinnamon Girl' from those early years or 'Don't Let It Bring You Down' off 'After the Gold Rush'. Both have that mix of weary defiance and guitar work that shifts on a dime.
He wrote songs that felt lean and direct from the start, like 'Cinnamon Girl' with its simple riff and weary defiance. That approach held through the early 1970s on albums like 'After the Gold Rush' and 'Harvest', where a track like 'Don't Let It Bring You Down' mixed gentle picking with ragged guitar turns. Even later, on 'Harvest Moon' in 1992 or a song like 'Razor Love' from 2000, he could still frame a melody plainly when he wanted.
He began in the mid-1960s with Buffalo Springfield, then put out his first solo album in 1968. The 1970s brought a steady pace of records, from 'Tonight's the Night' to 'Rust Never Sleeps', often recorded with Crazy Horse or collaborators like Crosby and Nash. He kept working into the 2000s with albums like 'Prairie Wind', never settling into one style for long.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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