A Korean indie-folk singer's breakout single from 2017 circles a memory that won't let go.
A Korean indie-folk singer's breakout single from 2017 circles a memory that won't let go.
The lyric works by accumulation, not argument.
It builds its haunted quality through that insistent, almost ritualistic repetition of closing eyes and falling, until the distinction between remembering and reliving blurs completely.
A Korean indie-folk singer's breakout single from 2017 circles a memory that won't let go.
du nuneun kkok gamatda nan nuun nal bogo dasi naeryeoganda
The lyric works by accumulation, not argument. It builds its haunted quality through that insistent, almost ritualistic repetition of closing eyes and falling, until the distinction between remembering and reliving blurs completely.
The Korean lines 'du nuneun kkok gamatda nan nuun nal bogo dasi naeryeoganda' repeat over and over, 'my eyes are tightly closed, I see that day again and fall down'. It's not describing a scene so much as being trapped in the body's memory of one. The words answer the pressure of a day that keeps returning, a fall that happens on a loop inside the head.
It's the core mechanism of the song. The eyes shut tight not to block it out, but to see it clearly again, and the body goes through the same collapse. Plain memory turned into physical recurrence.
The way the phrase 'deungi neomeoganda', 'the ridge is crossed' or 'over the ridge', punctuates the circling gives the song its slight forward motion, even as the memory pulls back.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
mareun ipsure
sonagi bonaeeo
du nune gadeuk ttaraseo
bulgeun sonwiro
bandareul nuigo
du nuneun dareul ttaraseo
sechage dallyeooneun
hwanggeumbit yeomsodeul
juineul ileo ije seulpi uneun tain
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
sechage dallyeooneun
hwanggeumbit yeomsodeul
juineul ileo ije seulpi uneun tain
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
deungi neomeoganda
du nuneun kkok gamatda
nan nuun nal bogo
dasi naeryeoganda
A Korean indie-folk singer's breakout single from 2017 circles a memory that won't let go. The lyric works by accumulation, not argument. It builds its haunted quality through that insistent, almost ritualistic repetition of closing eyes and falling, until the distinction between remembering and reliving blurs completely.
OhHyuk performs "Golden Goat", and this lyric page sits inside the OhHyuk catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "OhHyuk's Golden Goat and its haunted repetitions", followed by the full lyric and related songs.
Yes. The related section below points to MOMOM (feat. Cifika) with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through OhHyuk's lyric pages.
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