Oh, well, imagine
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
What a beautiful wedding!
What a beautiful wedding, says a bridesmaid to a waiter
And yes, but what a shame, what a shame
The poor groom's bride is a whore
I chime in with a: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of
Oh, well, in fact
Well, I'll look at it this way
I mean, technically our marriage is saved
Well, this calls for a toast, so pour the champagne
Oh! Well, in fact
Well, I'll look at it this way
I mean, technically our marriage is saved
Well, this calls for a toast, so pour the champagne
Pour the champagne
I chime in with a: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of
Poise and rationality
Again
I chime in: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in: Haven't you people ever heard of
Closing a goddamn door?
No, it's much better to face these kinds of things
With a sense of
Again
A strong comment here is specific: the phrase you keep hearing, the mood you come back for, or the reason this song stays in rotation.
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