A breakup song where the freedom feels hollow and the old face won't leave.
A breakup song where the freedom feels hollow and the old face won't leave.
The song frames freedom as a kind of failure.
"Maeil jayuropge salgoinneunde", I live so freely every day, is immediately undercut by the parenthetical "naneun kkaedarasseo" (I realized).
A breakup song where the freedom feels hollow and the old face won't leave.
"Neoui eolguri jakku tteoolla wae"
The song frames freedom as a kind of failure. "Maeil jayuropge salgoinneunde", I live so freely every day, is immediately undercut by the parenthetical "naneun kkaedarasseo" (I realized). He's not celebrating his independence; he's reporting on its emptiness, watching himself go through the motions from a distance.
The pressure is in the parentheses. "Dareun saram pume angyeo inneunde (naneun kkaedarasseo)" means "I'm in someone else's arms (I realized)." That quiet admission in brackets is the whole song. It's not a dramatic confession to the new lover; it's the private, shameful thought that arrives mid-embrace, the one you can't say out loud.
It's a question asked to no one, the kind that just hangs in the air of an empty apartment. The face appears without permission, and the singer is left wondering why his own memory won't cooperate, why it insists on this specific, painful haunting.
The way the English plea "Can you take me back again again" cuts through the Korean verses. It's simpler, more desperate, a direct line to the person who's already gone.
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Dareun saram pume angyeo inneunde
(naneun kkaedarasseo)
Neoui eolguri jakku tteoolla wae
(geuraeseo ireoke)
Ireoke dorawaseo tto neoege
Nareul badajwo jebal
Can you take me back again again
Neomu saranghaetjiman neomu himdeureosseo
Himdeunikka sarangdo yakhaejyeomangasseo
Gyeolguk sarangi da mallabeoryeosseo
Naneun neoreul tteonatdeongeoya
Dareun saram pume angyeo inneunde
(naneun kkaedarasseo)
Neoui eolguri jakku tteoolla wae
(geuraeseo ireoke)
Ireoke dorawaseo tto neoege
Nareul badajwo jebal
Can you take me back again again
Maeilmaeil saeroun yeojadeulgwa manna
Jeulgeoun sigandeureul bonaemyeo jinaesseo
Nega tteonaseo na
Maeil jeulgimyeonseo sara
Neomuna haengbokhage
Maeil jayuropge salgoinneunde
(naneun kkaedarasseo)
Neoui eolguri jakku tteoolla wae
(geuraeseo ireoke)
Ireoke dorawaseo tto neoege
Nareul badajwo jebal
Can you take me back again again
Naega eolmana neoreul saranghaneunji
Neol tteonabogoya irheobogoya naneun arasseo
Hu nado amuri neoreul
Jiwobeoriryeogo haedo jiul suga eobseosseo
Dareun saram pume angyeo inneunde
(angyeo inneun dongan)
(naneun kkaedarasseo)
Neoui eolguri jakku tteoolla wae
(nega gyesok tteoolla)
(geuraeseo ireoke)
Ireoke dorawaseo tto neoege
Nareul badajwo jebal
Can you take me back again again
Maeil jayuropge salgo inneunde
(nega eobsi salmyeonseo)
(naneun kkaedarasseo)
Neoui eolguri jakku tteoolla wae
(i miss you babe)
(geuraeseo ireoke)
Ireoke dorawaseo tto neoege
Nareul badajwo jebal
Can you take me back again again
A breakup song where the freedom feels hollow and the old face won't leave. The song frames freedom as a kind of failure. "Maeil jayuropge salgoinneunde", I live so freely every day, is immediately undercut by the parenthetical "naneun kkaedarasseo" (I realized).
J. Y. Park performs "Someone Else", and this lyric page sits inside the J. Y. Park catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "J. Y. Park's Someone Else and the ghost in the room", followed by the full lyric and related songs.
Yes. The related section below points to Love Is The Best and No Love No More with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through J. Y. Park's lyric pages.
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