A short-lived London band that mixed punk, metal, and electronic textures with raw, difficult themes.
For their raw side, 'Spit On Me' is the obvious call. But 'Desolate Discotheque' shows the oddly atmospheric range they could work in, too.
Qual's music wasn't background noise. Songs like 'Spit On Me' and 'The Geometry Of Wounds' were built to confront, with Rosie Acaster's voice shifting from whispers to screams over abrasive guitars and electronic textures. They made a distinct kind of noise that sparked debate and wasn't easy to ignore, even in their few active years.
They formed in London in 2017 with a lineup of Acaster, Todd, and two Bens. Their debut 'Synesthesia' arrived aggressive, followed by albums like 'Masochism' that leaned more experimental. Their intense live shows and lyrics dealing with difficult themes defined their brief run.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
Sign in to post the first listener note. Reporting stays open to everyone.