A brash, bilingual flex about money, suspicion, and shaking off the phonies.
A brash, bilingual flex about money, suspicion, and shaking off the phonies.
There's a sharp, almost cynical clarity in how she separates real connection from transactional noise.
The lyric doesn't wallow in betrayal; it just states the cost of doing business and gets back to the money.
A brash, bilingual flex about money, suspicion, and shaking off the phonies.
Everybody wanna fuck with me for benefit
There's a sharp, almost cynical clarity in how she separates real connection from transactional noise. The lyric doesn't wallow in betrayal; it just states the cost of doing business and gets back to the money.
The repeated line 'Everybody wanna fuck with me for benefit' isn't just a boast; it's a weary accusation. She's watching everyone circle, and the phrase 'for benefit' turns what could be pride into a kind of armor against being used. You get the sense she's had to say this to herself a lot just to keep moving.
It's the song's entire engine, a blunt, fed-up truth that explains every boast and every guard she puts up. Nothing gets past that filter.
The way she spits 'pagpagpag teoleonae' and 'ttagttaghae' has this percussive, dismissive swagger that sticks with you.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
noona
noona
Nice to meet you
annyeong jjagi
Let me shake dat booty
I just got that ocheonman wonjjali gong yeon dil
noona eongdeong-ineun tojong kimchiga anim
Everybody wanna fuck with me for benefit
annyeong jjagi
Let me pop dat molly
nan ije wirogal ildeulman namassji
bameneun eonnideul irang baeneul antaji
Everybody wanna fuck with me for benefit
naneun gong jjalo jeoldae anhae
bujae jung jeonhwa wae tto
geunde aedeuleun don anbadgo dahaejwo
noemuleul chaewo
silheumyeon geunyang gwandwo
neomalgo naepaeni manheo
noonareul ppalajwo
unnireul ppalajwo
naneun omma bij gapa
You can't see me in my block
I don't have no fuckin' glock
geulaedo neol swibge jojyeo pagpagpag
teoleonae doneul gwabgwabgwab
ttagttaghae ttagttaghae naui yamangi ttagttaghae
taengtaenghae taengtaenghae naui bogsunga taengtaenghae
annyeong jjagi
Let me shake dat booty
I just got that ocheonman wonjjali gong yeon dil
noona eongdeong-ineun tojong kimchiga anim
Everybody wanna fuck with me for benefit
annyeong jjagi
Let me pop dat molly
nan ije wirogal ildeulman namassji
bameneun eonnideul irang baeneul antaji
Everybody wanna fuck with me for benefit
naman mideo
wasabilang jeonbu jjijeo
mame andeul myeon da jjigeo
urin gyang meosdaero saleo
jasingam mankeumeun choego
mwolhadeun gan an jaego
haebeoryeo geobjaengi ppaego
chulbalhae jigjinhae straight up
jeonbuda meogeochiwo main dish
gogeubjige kallo sseoleojwo beef
weiteo igeosjom chiwojwojwo (ha)
meogeul ge manheuni eongdeongi salijjyeo
urirang nolgopeuji?
jinjja eonnideureun gura anchim
salmi jeo pureun chowon wie jib
naega olla ogien beogeobji wow
annyeong jjagi
Let me shake dat booty
I just got that ocheonman wonjjali gong yeon dil
noona eongdeong-ineun tojong kimchiga anim
Everybody wanna fuck with me for benefit
annyeong jjagi
Let me pop dat molly
nan ije wirogal ildeulman namassji
bameneun eonnideul irang baeneul antaji
Everybody wanna fuck with me for benefit
A brash, bilingual flex about money, suspicion, and shaking off the phonies. There's a sharp, almost cynical clarity in how she separates real connection from transactional noise. The lyric doesn't wallow in betrayal; it just states the cost of doing business and gets back to the money.
Queen Wa$abii performs "안 녕, 쟈기?", and this lyric page sits inside the Queen Wa$abii catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Queen Wa$abii's '안 녕, 잘 지?'", followed by the full lyric and related songs.
Yes. The related section below points to Nuna Bank (feat. Tommy Strate) and Baby Toes (feat. KOR KASH) with a short reason for opening each page next.
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