Sabará
Artist profile

Sabará

Sabará formed in Salvador, Bahia in the early 1990s around percussionist and vocalist Márcio Bahia, bassist Robson Nonato, and guitarist Dani Black. They...

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person Curated by Ethan Walker LyroVerse team
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Editor's note

Sabará's Afro-Brazilian rhythms and pop fusion

A Salvador band from the 1990s that mixed percussion-heavy grooves with sharp social lyrics.

If you're new to Sabará, 'Afastará' is the obvious place to start, it's the song that got them noticed. For something a little darker, try 'Hermético' or 'Não pude correr'.

Sabará's sound was built on the percussion of Márcio Bahia and the bass of Robson Nonato, grounding their songs in Afro-Brazilian traditions while reaching for pop hooks. Tracks like 'Afastará' and 'Onde se escondeu?' landed on their 1995 debut and later turned up in film and TV, giving their rhythms a wider audience. They kept writing about social themes, which sometimes got them into trouble, but that edge kept their music from feeling too safe.

They started in Salvador in the early 1990s with a core trio, then grew to include horns and keyboards by the time of 'Passagem Secreta' in 1997. Albums like 'Um Pé no Brasil' and 'Sete Mares' followed, with the lineup shifting as musicians like trombonist Marcos Sena came and went. They were still putting out records like 'Ladeira da Memória' into the 2010s.

edit_note Ethan Walker · LyroVerse team · Apr 19
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LyroVerse editor's notes are short interpretation guides, not final verdicts. If something needs a correction, visit About or Contact.

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Where should I start with Sabará on LyroVerse?

The Start here section opens with Afastará, Onde se escondeu?, and Signo de Câncer so you can move through the artist's stronger lyric pages first.

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LyroVerse currently has 10 visible lyric pages for Sabará.

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Yes. There are 2 photos available, and the preview gallery on this page links to the full photos section.

Does LyroVerse have an editor's note for Sabará?

Yes. The editor's note on this page is a short LyroVerse team guide, not a final verdict on the artist.

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