A British singer who moved from Eurovision hits to Smiths collaborations.
For the early sound, 'Girl Don't Come' holds up. The later turn is best heard on 'I Don't Owe You Anything.'
Her 1967 Eurovision winner 'Puppet On a String' defined a certain kind of bright, slightly melancholy British pop. She worked with songwriters like Burt Bacharach and Hal David, and her clear, direct vocal style made hits like '(There's) Always Something There To Remind Me' stick. Decades later, her work with The Smiths on 'Hand In Glove' showed she could adapt without losing that signature sound.
She signed with Pye Records in 1964 and broke through quickly with '(There's) Always Something There To Remind Me.' After winning Eurovision in 1967, she kept recording into the 1980s, when collaborations with The Smiths brought her to a new audience.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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