A K-pop track about waiting for a connection that might not come.
Most pop songs about attraction are about the moment or the memory.
This one lives entirely in the space before the call gets answered.
A K-pop track about waiting for a connection that might not come.
A K-pop track about waiting for a connection that might not come.
Most pop songs about attraction are about the moment or the memory.
This one lives entirely in the space before the call gets answered.
A K-pop track about waiting for a connection that might not come.
Sumi meojeuldeutae neoui geu moksori
Most pop songs about attraction are about the moment or the memory. This one lives entirely in the space before the call gets answered. It's all forward momentum, hinged on a single question that never gets resolved.
There's a line where the singer says, 'Sumi meojeuldeutae neoui geu moksori', like I'm breathless just hearing your voice. It's not just wanting the number; it's the physical reaction to the idea of the person on the other end. The whole song leans into that ache of anticipation, where the phone itself becomes the only thing standing between you and them.
It translates roughly to 'your voice that leaves me breathless.' That's the core of it, not the digits, but the person attached to them. The lyric makes the want feel physical, not just logistical.
The way 'Call call call' stacks up against 'what what's your phone number' gives it a rushed, slightly desperate rhythm. You can hear the impatience in the delivery.
LyroVerse editor's notes are interpretation guides, not final truth. If something looks off, use comments, reporting, or Contact.
The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Call call call (hey) (ta ta Tahiti)
Call call call phone number
Call call call (yeah, woah)
Call call call what what’s your phone number
Jeogi jeo anjainneun ae jombwa why
Nae nuni twieo nagal geotman gata eum
Nae mami heart heart rally good good oh my God
Oh oh oh oh neol kok jjigeosseo
Dodaeche neon eoneu byeoreseo wanni
Mwol meogeotgillae geureoke bitnani
Banmalhaedo dwae geureomyeon eottae
Seoroga pyeonhan ge jochanha
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Eonjedeun gwaenchanha naege jeonhwahaejwo boy, hey
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Sumi meojeuldeutae neoui geu moksori, yeah, what’s your phone number?
Shwit! Hello
Onjongil nisaenggage gadeukcha why
Tteun nuneuro bameul jisaeujanha eum
Jeonhwa belsoriman gidarigo itgetji, oh
Woeoeoeo eoeoeoeo eoeoeo
Eotteoke haeya gajil su isseulkka
Neodo nacheoreom naega mame deulkka
Jigeumbuteoneun niga namanui seutaingeol
Meoril gullyeoya dwae jeo byeoreun naekkeoya
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Eonjedeun gwaenchanha naege jeonhwahaejwo boy, hey
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Sumi meojeuldeutae neoui geu moksori, yeah, what’s your phone number?
Daril kkogo meosseureopge keopireul masineun geu moseup
Eojjeom jeorido wanbyeokhal su isseulkka
Ssipgo itdeon eoreumdo neo ttaemae nogabeorigesseo
Neoman jotamyeon na neomeo galtende
I feel so good, I feel so good
I need your mine, I need your mine
Ttak beoreojin eokkae ireon nal eotteokhae
Neo ttaeme nae mami bultago isseo
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Eonjedeun gwaenchanha naege jeonhwahaejwo boy, hey
Give me phone, phone, phone, phone number
Call, call, call, call me, baby
Sumi meojeuldeutae neoui geu moksori, yeah, what’s your phone number?
A K-pop track about waiting for a connection that might not come. Most pop songs about attraction are about the moment or the memory. This one lives entirely in the space before the call gets answered.
TAHITI performs "Phone Number", and this lyric page sits inside the TAHITI catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "TAHITI's 'Phone Number' and the late-night call", followed by the full lyric and related songs.
Yes. The related section below points to Molla Molla and Skip with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through TAHITI's lyric pages.
Interpretations, questions, memories, and correction notes live together here. The room stays noindex while the best insights are reviewed.
No listener comments on Phone Number yet.
We only count reactions from signed-in listeners so the scores stay clean and trustworthy.
A strong comment here is specific: the phrase you keep hearing, the mood you come back for, or the reason this song stays in rotation.
Sign in to post the first listener note. Reporting stays open to everyone.