A Tel Aviv-Dublin duo whose songs feel like small, honest conversations.
If you need a place to start, try "Hope Again" or "Ninety-Three." They're good examples of how their music works, quiet, a little frayed at the edges, and completely unadorned.
They've built a catalog of gentle, direct songs like "Hope Again" and "Hands" that avoid big production in favor of something more personal. Their documentary "The Sound of Silence" suggests they're interested in the spaces between notes as much as the notes themselves. It's folk music that feels lived-in rather than performed.
They started with "Wake Me (Noah Song)" in 2015, then put out albums like "Echoes" and "The Edge of Dawn." The move from that first single to a film project shows a shift from songwriting toward something more atmospheric.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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