A British band that burned bright with 'Turning Japanese' and two wiry albums before fading out.
For the hit, obviously 'Turning Japanese.' For the band they actually were, try 'Here Comes The Judge' or the tense 'Cold War.'
They landed with a sound that was both catchy and slightly off-kilter, anchored by David Fenton's dry delivery and those angular guitars. 'Turning Japanese' was the undeniable hit, but songs like 'Here Comes The Judge' and 'Galleries For Guns' showed they had more on their mind than just one novelty. Their two albums, 'New Clear Days' and 'Magnets,' document a specific, sharp-edged moment in UK post-punk.
Formed in Guildford in 1978, they broke through internationally in 1980 with 'Turning Japanese' from their debut 'New Clear Days.' A second album, 'Magnets,' followed in 1981 with a more pop-leaning approach, but the band was done by 1983.
Keep it compact: a lyric you come back to, a live memory, or the part of the catalog you would point someone toward first.
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