A Korean pop ballad that frames a finished relationship as the final scene of a movie.
A Korean pop ballad that frames a finished relationship as the final scene of a movie.
The lyric leans on film terms not as metaphor but as literal memory architecture.
When she sings 'gwangaegeun hana dul toejanghago', 'the supporting actors exit one by two', it treats people from the past as cast members, which is a clean, almost cruel way to file them away.
A Korean pop ballad that frames a finished relationship as the final scene of a movie.
neowa naui yeonghwaneun kkeunnatgo
The lyric leans on film terms not as metaphor but as literal memory architecture. When she sings 'gwangaegeun hana dul toejanghago', 'the supporting actors exit one by two', it treats people from the past as cast members, which is a clean, almost cruel way to file them away. The song doesn't mourn the loss as much as it directs the closing scene.
The phrase 'neowa naui yeonghwaneun kkeunnatgo', 'our movie is over', doesn't just announce an ending. It makes the whole shared past feel like a finished story you can't re-edit, all those bright moments now locked in a can. There's a quiet vanity in framing a breakup as a film's final cut, as if to say what we had was worth a proper credits sequence.
It's the title's payoff, stated plainly. Our movie is over. Once you say that, there's no post-credits scene, no sequel, just the house lights coming up.
The way 'close up and dissolve' slips into the Korean text, a technical command that also sounds like a sigh.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
cheoeum bon sungan
unmyeongiragoman ttak neukkyeosseo
hanpyeonui yeonghwa juingong gatdeon
nan ijen eopseo
areumdawotdeon sungan
nuni busideon jomyeongdeul
yeongwonhal geot gatdeon seutori
su manatdeon ng sok haengbokaetdeon sigan
neowa naui yeonghwaneun kkeunnatgo
gwangaegeun hana dul toejanghago
neowa naui keuredinman namaseo
wiro jeo wiro
hoksina haneun maeume
teong bin gaekseoge na honjaseo
tto dareun yegopyeoni itji aneulkka
anjaisseo
hwaryeohaesseotdeon chueok
uril bichudeon jomyeongdeul
yeongwonhal geot gatdeon seutori
sumanatdeon NG sok haengbokaetdeon sigan
neowa naui yeonghwaneun kkeunnatgo
gwangaegeun hana dul toejanghago
neowa naui keuredinman namaseo
wiro jeo wiro
close up and dissolve
eoduun jomyeong
majimak daesa
nanumyeo fade out
neowa naui yeonghwaneun kkeunnatgo
gwangaegeun hana dul toejanghago
neowa naui keuredinman namaseo
saekkaman peureimeul gadeuk chaewo
tto dareun yeonghwaneun sijakdwaetgo
gwangaegeun hana dul ipjanghago
neowa naui chueongman namaseo
wiro nal wirohae
A Korean pop ballad that frames a finished relationship as the final scene of a movie. The lyric leans on film terms not as metaphor but as literal memory architecture. When she sings 'gwangaegeun hana dul toejanghago', 'the supporting actors exit one by two', it treats people from the past as cast members, which is a clean, almost cruel way to file them away.
Uhm Jung Hwa performs "Ending Credit", and this lyric page sits inside the Uhm Jung Hwa catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Uhm Jung Hwa's Ending Credit closes a film", followed by the full lyric and related songs.
Yes. The related section below points to Everyone Go Away and Dagara with a short reason for opening each page next.
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