A Korean ballad where regret becomes a permanent address.
A Korean ballad where regret becomes a permanent address.
The song understands that some apologies aren't about moral repair but about stopping time.
When he sings 'narul ijoyo', 'leave me', three times at the end, it's less a request than a description of what's already happening.
A Korean ballad where regret becomes a permanent address.
love is left and gone in my life
The song understands that some apologies aren't about moral repair but about stopping time. When he sings 'narul ijoyo', 'leave me', three times at the end, it's less a request than a description of what's already happening.
The plea 'Yeah baby please forgive me' gets answered by its own echo, 'dashi negyothuro doraogil', which just means 'come back to my side'. He's asking for forgiveness but really begging for return, and the words can't separate the two. Every apology here is just another way to say 'don't leave me here alone'.
It's a statement, not a question. The past tense settles everything before the begging even starts.
The way the English phrase 'love is left and gone' cuts through the Korean verses, blunt and final.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Hey girl you were my eveything
ne salme bichin oh yeah
Gutten kuthi boiji anhasso nowa naui sarang
jonbu yongwonhal dud it was like a love song
hamke sogsagyo dalkhomhedon gu yagsog
gurohge kumchorom hulloji namun gon
hajiman ijenun modunge dalla
love is left and gone in my life
hajiman ijenun modunge dalla
suobshi nege marhe drop the verse
Nappujyo hanten jiuji mothe aphadon il modu da idgo
udneyo nega onuri otton narin juldo morugo ijyo
Bolsso nega ireyo jarhan ge objyo
saranghandan mal gidarindan mal
gu maljocha ijun che nan sarajyo
Noege musunmarul dohe nan mianhan maumpun
sudissun usumman ibgae segilpun
ibyoriran gyolmallo kuthi nan story
gu soge donjin nal ijuran i hanmadi
guman jiwo choum gu giogesobutho
chagabgeman dehedon nal you remember
ijen nol bolsu obso majimagkaji to
suobshi nege marhe nan onuldo (that's right)
Iron nega mibgejyo nega shilhgejyo
narul tonan gon jarhan goeyo
nega guderado nal boryogejyo
Mosgumboda dohan (sojunghan)
gudel idgo san gon (guderul)
sarado nan san ge aninde
Nega ireyo nega mibgejyo nega shilghejyo
narul ijoyo narul ijoyo narul ijoyo
Yeah baby please forgive me
(dashi ne gyothuro dorawa babe)
dashi negyothuro doraogil
(gure ne gyothen onjena you babe)
yeah baby please forgive me
(everytime and everyday cross my heart)
dashi negyothuro doraogil
(dashi negyothe dorawajwo babe)
Hajiman ijenun modunge dalla
love is left and gone in my life
Hajiman ijenun modunge dalla
love is left and gone in my life
A Korean ballad where regret becomes a permanent address. The song understands that some apologies aren't about moral repair but about stopping time. When he sings 'narul ijoyo', 'leave me', three times at the end, it's less a request than a description of what's already happening.
V.O.S. performs "Unforgiven (Feat. IMS)", and this lyric page sits inside the V.O.S. catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "V.O.S. asks for forgiveness that never comes", followed by the full lyric and related songs.
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