A slow-burn track where touch becomes a language and desire feels like a secret harmony.
A slow-burn track where touch becomes a language and desire feels like a secret harmony.
The lyric leans hard on opposites that aren't really opposites at all.
'Kiss and touch me' sits right next to 'kill and touch me,' framing devotion and consumption as two sides of the same hunger.
A slow-burn track where touch becomes a language and desire feels like a secret harmony.
namanui Intoxication
The lyric leans hard on opposites that aren't really opposites at all. 'Kiss and touch me' sits right next to 'kill and touch me,' framing devotion and consumption as two sides of the same hunger. It's a sharp, almost casual way to say the feeling is overwhelming.
The phrase 'Stroke you like an arpeggio' does a lot of work. It turns a physical touch into something musical and deliberate, a practiced climb toward a feeling. That's the pressure it answers, the need to make intimacy feel composed, not just frantic.
It translates to 'my intoxication,' but placing it after 'kill and touch me' reframes the whole song. The obsession isn't about the other person; it's about the state they put you in, a private madness.
The way 'deep inside' gets repeated three times, almost like a mantra, before the track fully commits to its groove.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
sumjugideut nae yodong chineun
salgyeoreul neukkige haejwo sijaghae
foreplay nae sonkkeuti geutorog chaja hemeingeon
deep inside deep inside deep inside crazy
Touch you baby myeoch beonigo
squeeze you baby Let me feel your
naughtiness Stroke you like an arpeggio yeah
… Tell me what you want hey
… Tell me do you want me oh no
… You say baby now I know what you want me
Oh no malhago sipeo baby now
Kiss and touch me taste and touch me baby
beoseo deonjyeo beoryeo make it love
Bite and touch me kill and touch me baby
namanui Intoxication
nal jageughago hangsang
nae gyeote isseojwo my love
amudo moreuneun dulmanui
harmony tteoreo jineun dalbicheul
garigo geu araeeseo seororeul
bureuneun secret so beautiful
Tell me what you want hey
… Tell me do you want me oh no
… You say baby now I know what you want me
Oh no neomchil geot gata baby now
Kiss and touch me taste and touch me baby
amumal haji ma make it love
Bite and touch me kill and touch me baby
namanui Intoxication
Kiss and touch me taste and touch me baby
hago sipeun daero make it love
Bite and touch me kill and touch me baby
namanui Intoxication
mari piryoeobtneun sunganui fantasy
neoui yeonghongwa ib matchugo sipeo jom deo
jom deo gipge moranaeswil geoya
… Tell me what you want hey
… Tell me do you want me oh no
… You say baby now I know what you want me
Oh no malhago sipeo baby now
Tell me what you want hey
… Tell me do you want me oh no
… You say baby now I know what you want me
Oh no neomchil geot gata baby now
Kiss and touch me taste and touch me baby
amumal hajima make it love
Bite and touch me kill and touch me baby
taoreuneun namanui Intoxication
Kiss and touch me taste and touch me baby
neukkyeobwa more and more
Bite and touch me kill and touch me baby
A slow-burn track where touch becomes a language and desire feels like a secret harmony. The lyric leans hard on opposites that aren't really opposites at all. 'Kiss and touch me' sits right next to 'kill and touch me,' framing devotion and consumption as two sides of the same hunger.
Xiah Junsu performs "Intoxication (Korean)", and this lyric page sits inside the Xiah Junsu catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Xiah Junsu's Intoxication, a Korean R&B fantasy", followed by the full lyric and related songs.
Yes. The related section below points to As Usual and Tarantallegra (feat. Flowsik) with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through Xiah Junsu's lyric pages.
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