A samba track that roots tradition in the kitchen, with lyrics about memory, slavery, and cooking with a colher de pau.
A samba track that roots tradition in the kitchen, with lyrics about memory, slavery, and cooking with a colher de pau.
Pagodinho lets the grandmother's voice hold the center without sentimentalizing her.
The song doesn't shy from the 'lágrima' she sheds remembering the senzala, but it also shows her finding purpose in teaching the next generation.
A samba track that roots tradition in the kitchen, with lyrics about memory, slavery, and cooking with a colher de pau.
aprendeu no cativeiro e não quer opinião
Pagodinho lets the grandmother's voice hold the center without sentimentalizing her. The song doesn't shy from the 'lágrima' she sheds remembering the senzala, but it also shows her finding purpose in teaching the next generation. That balance feels earned, not forced.
The phrase 'ela entende do feijão' grounds everything. This isn't just about cooking; it's about knowledge passed down from a time of slavery, with the grandmother refusing outside opinions. Her wooden spoon becomes a kind of quiet insistence on keeping tradition alive, whether it's for a holiday rabanada or a regular meal.
That line carries the whole weight of the song in a few words. It speaks to a knowledge born from hardship, and a stubborn dignity in refusing to have that knowledge questioned. You hear the grandmother's entire history in it.
The way Pagodinho delivers 'as nuances africanas que mantém vovó em pé' sticks with you. It's a plain statement about heritage as physical sustenance, wrapped in the rhythm of samba.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Vovó foi no cerrado apanhar graveto eu nem me meto ela entende do
feijão vovó conhece o sabor de um bom tempero aprendeu no
cativeiro e não quer opinião e só ensina menina Maria da Penha
que está no fogo de lenha todo sabor natural
Mais vovó só quer cozinhar com sua colher de pau (2x)
Enquanto a comida apronta ela senta e nos conta histórias da sua
vida do tempo da escravidão mais seus olhos vertem lágrima ela
lembra da senzala o seu corpo arrepia sua voz até se cala mais
ela se diz contente com essa gente atual só não apagou da mente
o que é tradicional usa pano de cabeça da mesma cor do avental
mais ela só quer cozinhar com sua colher de pau
vovó só quer cozinhar com sua colher de pau (2x)
as nuances africanas que mantém vovó em pé é que ela traz como
herança orixas do candomblé o seu santo de cabeça faz o bem sem
ver a quem ajudando a quem mereça ajuda vovó também ela só não
está contente com o preconceito racial ela só quer cozinhar com
sua colher de pau
Mais vóvó só quer cozinhar com sua colher de pau
Ela só quer cozinhar com sua colher de pau
Seja pra fazer rabada ou fazer rabanada em dia de natal
Vovó só quer cozinhar com sua colher de pau (2x)
Cheguei em Copacabana gravei com a Joanna e foi muito legal
Mais vovó só quer cozinhar com sua colher de pau (2x)
Mais sou levada da breca cantei com o Zeca foi sensacional
Vovó só quer cozinhar com sua colher de pau (2x)
A samba track that roots tradition in the kitchen, with lyrics about memory, slavery, and cooking with a colher de pau. Pagodinho lets the grandmother's voice hold the center without sentimentalizing her. The song doesn't shy from the 'lágrima' she sheds remembering the senzala, but it also shows her finding purpose in teaching the next generation.
Zeca Pagodinho performs "Colher de Pau", and this lyric page sits inside the Zeca Pagodinho catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "Zeca Pagodinho's ode to a grandmother's wooden spoon", followed by the full lyric and related songs.
Yes. The related section below points to Martim Cererê and Seu Balancê with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through Zeca Pagodinho's lyric pages.
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