Page type: artist reference
Canonical path: /zephaniah
Lyric pages live: 9
Video embedded: yes
Artist profile
Zephaniah
Zephaniah formed in New York in the early 1990s, with Max Blum on vocals and guitar, Ethan James on lead guitar, Emily Davies on bass, and Sebastian Garcia on...
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Curated by Ethan Walker
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The pages that open this catalog up fastest
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Avenger of Souls
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Blackbeard's Revenge
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Fight for Love
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Flame the Dragon
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Sword of the King
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The Lone Warrior
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Artist at a glance
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9 lyric pages live
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Songs in focus
Keep moving through Zephaniah
Avenger of Souls
Video on page · 2 visits
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Blackbeard's Revenge
2 visits
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Fight for Love
Video on page · 2 visits
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Flame the Dragon
Video on page · 2 visits
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Sword of the King
Video on page · 2 visits
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The Lone Warrior
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The Metal Prayer
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Antietam
Video on page · 1 visits
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Deep Breath
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Background notes
Archive material and source history
Zephaniah formed in New York in the early 1990s, with Max Blum on vocals and guitar, Ethan James on lead guitar, Emily Davies on bass, and Sebastian Garcia on drums. Their sound mixed alt-rock with folk and world music elements, which sometimes put them at odds with industry expectations. Their 1995 album 'Ashes of Empire' drew mixed reviews, with some critics calling it overly political.
In 1998, the single 'Antietam' became their biggest commercial success, reaching the top 10 on the Billboard Alternative Songs chart. The song's war-themed lyrics and melodic approach connected with listeners. Other tracks like 'Avenger of Souls' and 'Sword of the King' show their thematic range across their catalog.
They released six studio albums between 1993 and 2008, including 'The Ghosts of Tomorrow' in 1998 and 'Elysium' in 2001. Their music attracted a dedicated following who appreciated their willingness to experiment and address political themes directly.
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The Start here section opens with Avenger of Souls, Blackbeard's Revenge, and Fight for Love so you can move through the artist's stronger lyric pages first.
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LyroVerse currently has 9 visible lyric pages for Zephaniah.
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