A Uruguayan pop song about a teenage crush that lingers long after the romance ends.
A Uruguayan pop song about a teenage crush that lingers long after the romance ends.
The whole song is built on that distance between 'ropa elegante' and 'a la mía,' between her planned future and his search for a life.
It's less about heartbreak and more about the ache of two realities that briefly touched.
A Uruguayan pop song about a teenage crush that lingers long after the romance ends.
un aroma de niña mezclado con mujer
The whole song is built on that distance between 'ropa elegante' and 'a la mía,' between her planned future and his search for a life. It's less about heartbreak and more about the ache of two realities that briefly touched.
He keeps circling back to 'un aroma de niña mezclado con mujer', that scent of a girl mixed with a woman. It's the exact, impossible thing he can't shake: not just her perfume, but the specific moment she was both things at once, and he was there to notice.
It captures the entire fleeting romance in one sensory detail, not who she was, but how she smelled in that particular, vanishing season of her life.
The way 'Hay pá mira que duele' hangs in the air each time, a plain admission that just sits there.
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Ella tiene 16 y va a colegio privado
Viste ropa elegante y lleva su pelo atado
Lleva una hermosa sonrisa, una joven mirada
Unos labios rojizos y su piel es rosada
Su pelo lleva el perfume que lleva su piel
Lleva un aroma de niña mezclado con mujer
Su nombre es adecuado a su forma de hablar
A su carácter callado y a su sensualidad
Ella es la chica perfecta que te puede encontrar
Con un par de palabritas te puedes enamorar
Ella vive su vida en montevideo, uruguay
Estudiando una carrera para no tener que viajar
Yo tengo 19 y ando por ahí
Buscándome la vida pa' poder seguir
Mi ropa no es elegante, tampoco es sensual
Yo me visto a la mía así lo pueden llamar
Y aún así pues tan diferente
Como el pasado o el presente
Sigo llevándola en mi mente
Corazón caliente que late por ella muy fuerte
Al recordarla aunque ya no este presente
Ella el aire que yo respiro noche y día
Ella es camila la que me inspira, la que me abriga
Siempre al dormir suelo soñarla a mi lado
Pero no hay caso, pa siempre amanezco congelado
Hay pa mira que duele
Cuando se ama a una mujer y no la tienes
Hay, hay pa, mira que feo
Despertar y esperar la noche para soñarla de nuevo
Nuestro romance, fue corto y de prisa, pero me quedo
Me quedo con aquella sonrisa
Que al recordarla se corre por mí una brisa
Y puede hacer caer lágrimas por mi mejilla
Mi estomago vibra como si fuera un pequeño
Me hace acordar de que alguna vez yo fui su dueño
La tuve entre mis brazos y ella me dijo te quiero
Como un idiota yo le di mi corazón entero
Ahora por más que quiera, hoy ya no puedo amar
Pues mi corazón se lo he dejado allá en el uruguay
Hay pá mira que duele
Cuando se ama a una mujer y no la tienes
Hay hay pa mira que feo
Despertar y esperar la noche para soñarla de nuevo
A Uruguayan pop song about a teenage crush that lingers long after the romance ends. The whole song is built on that distance between 'ropa elegante' and 'a la mía,' between her planned future and his search for a life. It's less about heartbreak and more about the ache of two realities that briefly touched.
100% performs "Camila", and this lyric page sits inside the 100% catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "100%'s 'Camila' and the girl left in Uruguay", followed by the full lyric and related songs.
Yes. The related section below points to Remember and 어제의 나를 만나다 (Meet Yesterday) with a short reason for opening each page next.
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