A Korean ballad about holding onto love after it's gone, built on quiet apologies and what-if moments.
A Korean ballad about holding onto love after it's gone, built on quiet apologies and what-if moments.
Most breakup songs fixate on the loss or the anger.
This one lingers in the aftermath of a decision already made, where the only thing left to do is thank the hard times and apologize for not knowing better.
A Korean ballad about holding onto love after it's gone, built on quiet apologies and what-if moments.
jal sal-a daleun salamgwa daleun gong-gan sog-eseo
Most breakup songs fixate on the loss or the anger. This one lingers in the aftermath of a decision already made, where the only thing left to do is thank the hard times and apologize for not knowing better. The lyric moves like someone cleaning up after a party that ended hours ago.
The phrase 'gakkeum-eun tteoollyeo jwo uli salanghan nal', sometimes let me lean on the day we loved, doesn't ask for the person back. It asks for permission to borrow the memory, just for a moment, when the present feels too heavy. That's the pressure it answers: the need to touch something warm when everything else has gone cold.
Telling someone to live well with another person in another space is a specific kind of heartbreak. It's not just letting go, it's picturing the emptiness they'll fill without you.
The way the vocal delivery stretches around 'mianhae', I'm sorry, gives the apology a worn, familiar weight each time it returns.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
geuleon pyojeong-eun jisji ma
neol dasi jab-eul geos gat-a geuman nae gyeot-eul seuchyeo jinaga
cham joh-assdeon uli gieogdo himdeul-eossdeon sungando
modu gomawo salanghaessdaneun ge
huhoega dwae jeonbuyeossdeon neoleul neujge al-aseo mianhae
jal sal-a daleun salamgwa daleun gong-gan sog-eseo
ijen ulineun ijhyeojigessji sigan-i jinado gwaenchanh-a
nega namgyeojun manh-eun chueog-e gyeondil su iss-eo
gakkeum-eun tteoollyeo jwo uli salanghan nal
dasi dollil su issdamyeon
cheoeum gobaeghan bamcheoleom geunyang neol an-a jugo sip-eunde
huhoega dwae babocheoleom geuttaen ne mam-eul mollass-eoss-eulkka
jal sal-a daleun salamgwa daleun gong-gan sog-eseo
ijen ulineun ijhyeojigessji sigan-i jinado gwaenchanh-a
nega namgyeojun manh-eun chueog-e gyeondil su iss-eo
gakkeum-eun tteoollyeo jwo uli salanghan nal
dol-aseon ne dwismoseub-e
jakkuman nunmul-i heulleo meonghage seo iss-eo
mianhae
ijen deo apeujido malgo budi haengboghagil bala
gwaenchanh-a himdeulgessjiman eotteohgedeun na gyeondyeonae bolge
ma-eum-i seuchindamyeon gakkeum-eun tteoollyeo jwo
uli salanghan nal
A Korean ballad about holding onto love after it's gone, built on quiet apologies and what-if moments. Most breakup songs fixate on the loss or the anger. This one lingers in the aftermath of a decision already made, where the only thing left to do is thank the hard times and apologize for not knowing better.
4Men performs "A Day", and this lyric page sits inside the 4Men catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "4Men's 'A Day' and the weight of memory", followed by the full lyric and related songs.
Yes. The related section below points to I Regret It and Love Is with a short reason for opening each page next.
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