A Japanese-Korean collaboration urging women to find their voice and walk their own lane.
A Japanese-Korean collaboration urging women to find their voice and walk their own lane.
The lyric treats pain not as something to overcome but as the very engine that gets things moving again.
When the stopped clock's hand pricks you, it's that sting, not some grand resolution, that makes the heart turn over and the feet start walking.
A Japanese-Korean collaboration urging women to find their voice and walk their own lane.
my own lane
The lyric treats pain not as something to overcome but as the very engine that gets things moving again. When the stopped clock's hand pricks you, it's that sting, not some grand resolution, that makes the heart turn over and the feet start walking.
The phrase 'my own lane' cuts through the noise. After mentioning a future kept 'in my pocket' and thanking someone for 'diamonds' made from scraped knees, it lands as a quiet declaration of independence. It answers that pressure to conform by insisting on a path no one else walks, glittering and solitary.
It's a compact refusal of comparison. In a song full of collective chants, these three words carve out space for a singular, self-defined journey.
Chanmina's rap verse has a conversational urgency that grounds TAEYEON's more melodic delivery, especially when she asks 'kono yo de hontou ni kowai no wa dare kashira', who in this world is truly afraid.
LyroVerse editor's notes are interpretation guides, not final truth. If something looks off, use comments, reporting, or Contact.
The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Uh
Come on, girls
This is our generation, hah
ichido kiri no shoo taimu
makka na rippusutikku wa
kisu ya hagu no tame janai tsuyoku nareru mahou
doudou to aruku wa
tittup hiiru wa biito ni
rizumu wa jiyuu ni kizameru watashi no tenpo de
tomatta tokei no hari ga sashita
itami ga kokoro wo ugokasu kara
Hey girls, let’s speak out
Hands up and stand up
sou sekai wa kono te no naka nozomi doori
Hey girls, brave it out
Wake up and look up
negai wa kono koe de kanaesasete
Girls, speak it loud
Speak it loud
Come on, girls
rajio kara nagarete kita
natsukashii ano uta ga
namida nugutte mae wo muite
toikaketeru on my way
Ah ah, watashi no mirai wa, in my pocket
dare mo inai kirakira no, my own lane
aa itakatta kezurareta toki wa
demo kimi ga tsukutta daiya arigatou gozaimasu
tomatta tokei no hari ga sashita
itami ga koku wo ugokasu kara
Hey girls, let’s speak out
Hands up and stand up
sou sekai wa kono te no naka nozomi doori
Hey girls, brave it out
Wake up and look up
negai wa kono koe de kanaesasete
hitori kiri (silent night)
kazoeru hoshi (twilight)
kagayaku koto ga (baby girls)
kowaku nattemo (don't cry)
mou ichido mata kimi no hikari ni nareba
sou negatte koe wo tadotte
beddo no sumi de nakun dattara
sekai no chuushin de sakende yatta
kono yo de hontou ni kowai no wa dare kashira
Girls, speak it loud
Hey girls, let’s speak out
Hands up and stand up
sou sekai wa kono te no naka nozomi doori
Hey girls, brave it out
Wake up and look up
negai wa kono koe de kanaerareru
Girls, speak it uut
We gonna walk it out
Girls, speak it out
1, 2
Girls, speak it out
We gonna walk it out
Girls, speak it out
Girls, speak it out, uh
Girls, speak it loud
Speak it loud
Come on, girls
Come on, girls
A Japanese-Korean collaboration urging women to find their voice and walk their own lane. The lyric treats pain not as something to overcome but as the very engine that gets things moving again. When the stopped clock's hand pricks you, it's that sting, not some grand resolution, that makes the heart turn over and the feet start walking.
TAEYEON performs "#GirlsSpkOut (feat. Chanmina)", and this lyric page sits inside the TAEYEON catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "TAEYEON and Chanmina's bilingual empowerment anthem", followed by the full lyric and related songs.
Yes. The related section below points to Rescue Me and Do You Love Me? with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through TAEYEON's lyric pages.
Interpretations, questions, memories, and correction notes live together here. The room stays noindex while the best insights are reviewed.
No listener comments on #GirlsSpkOut (feat. Chanmina) yet.
We only count reactions from signed-in listeners so the scores stay clean and trustworthy.
A strong comment here is specific: the phrase you keep hearing, the mood you come back for, or the reason this song stays in rotation.
Sign in to post the first listener note. Reporting stays open to everyone.