KIMMUSEUM's 'Jongno Water Market' holds onto a childhood grip that never quite lets go.
KIMMUSEUM's 'Jongno Water Market' holds onto a childhood grip that never quite lets go.
The lyric treats memory like a physical object you can almost hold, then lose your grip on.
It's less about nostalgia and more about the sheer, stubborn fact of a sensation that outlasts the person who caused it.
KIMMUSEUM's 'Jongno Water Market' holds onto a childhood grip that never quite lets go.
neuljapgo itdeon appa son ondoreul gieokae
The lyric treats memory like a physical object you can almost hold, then lose your grip on. It's less about nostalgia and more about the sheer, stubborn fact of a sensation that outlasts the person who caused it.
The phrase 'neuljapgo itdeon appa son ondoreul gieokae', 'I remember the warmth of my father's hand that was always holding mine', does the heavy lifting. It's not just a memory; it's the warmth itself, the specific heat of a hand that was always there. The song keeps trying to hold that warmth again, to see if it can still feel the same shape in a grown man's palm.
It's the warmth he remembers, not just the hand. That specific, bodily detail turns a generic memory into something you can almost feel in your own palm.
The way 'gieokae', 'remember', gets repeated at the end, almost like a command to oneself, sticks with you.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Grown man on
i maeumi jaraseo
neuljapgo itdeon appa son
ondoreul gieokae nan
piwo namgyeonoeun narui
yeongi gateun sarang
chueogiran hyangeul urin
jeoleumira bulleo
pumeul tteona saraonji
8nyeoni jinado
yeotae gareuchimeul batgo
urin geureoke saraga
eorin nare bodeon baekgwasajeon gateun saram
sinmun dwie jeokin appa maeumeul ijen ara
monan mareun dwirohae
saranghaneun mameul jeonhagoseo
appa geotdeon gireul ttaragagi bappa
neul gutge japdeon
gulgeun songarageul
jababwatjiman
nae keojin sone
eosaekagiman han
maeumeul gamchunda
saranghamui geurimja sok
chueogiran geuriumdo sarangieoseo
gajogiran mare
ulgo unneun nari doegireul
gajogiran mare
uimi inneun maeil salgireul
Never come down
i maeure tteoinneun
geu byeoreul ganjikandamyeon
chueok jogagi manneun
geu chokgami tteoolla
Grown man on
i maeumi jaraseo
neuljapgo itdeon appa son
ondoreul gieokae
Grown man on
i maeumi jaraseo
neuljapgo itdeon appa son
ondoreul gieokae
gieokae nan geu ondoreul du sone kkwak
ije nae moksorineun TV uri anbang
yejeoneneun naui noraetsorie
appaneun TV sorireul kiwosseotjiman
eomma seolgeoji sori deureogan nae cheot
aelbeomeun sold out ijen nado cheol
deureoya hal ttaeya ijen jibe
jaju naeryeogalge
gakkeum naeryeogamyeon eosaekae nae bangi
eomma appado nal ireoke neukkilkka
museowo buri da kkeojyeoinneun bangi
eommaui nokeu sorie naneun kkaenda
geunyang deureowado dwae
georigam neukkige wae
geureoneun geoya daeche
geureoneun geoya daeche wae
neul geuraewatdeut
uriga geuryeodun sesange
geu eotteon gamjeongjochado
sojunghi ganjikal su
KIMMUSEUM's 'Jongno Water Market' holds onto a childhood grip that never quite lets go. The lyric treats memory like a physical object you can almost hold, then lose your grip on. It's less about nostalgia and more about the sheer, stubborn fact of a sensation that outlasts the person who caused it.
KIMMUSEUM performs "Jongno Water Market (종로 물장수)", and this lyric page sits inside the KIMMUSEUM catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "A grown man remembers his father's hand", followed by the full lyric and related songs.
Yes. The related section below points to GUARDIANS and Cullinan with a short reason for opening each page next.
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