A Korean indie track that builds a private world around a Paris bridge, mixing English and Korean to blur memory and reality.
A Korean indie track that builds a private world around a Paris bridge, mixing English and Korean to blur memory and reality.
The bridge isn't just a location; it's the fixed point the whole fantasy orbits.
'Geu pyojeong uriui saineun machi gieogui pont alexandre gatji', our sign is exactly like the Pont Alexandre in memory, makes the actual place secondary to the version they've built together.
A Korean indie track that builds a private world around a Paris bridge, mixing English and Korean to blur memory and reality.
We are dancing in the tv screen / yeonghwaga doel geoya
The bridge isn't just a location; it's the fixed point the whole fantasy orbits. 'Geu pyojeong uriui saineun machi gieogui pont alexandre gatji', our sign is exactly like the Pont Alexandre in memory, makes the actual place secondary to the version they've built together.
When the singer says 'We are dancing in the tv screen / yeonghwaga doel geoya,' it's not about watching something. It's about trying to turn a moment into a film so it lasts, so it feels real enough to hold onto. The Korean phrase 'nae imiji ne meori wie maeil tteoinneun bami doelge', my image becoming the night that blooms on your head every day, isn't a metaphor for love so much as a specific, almost physical wish to be someone's constant, private light.
That shift into English for the screen, then back to Korean for 'become a movie,' captures how daydreams often borrow from media to feel tangible. It's less about performance and more about preservation.
The way 'Take you to Paris, my lover' returns each time, half invitation and half incantation, gives the track its hypnotic pull.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Take you to Paris, my lover
Close your eyes, nae son jabeo
uri hamkkeraseo naneun joa
oneun nareul jaba ganjikaeya hae
Oh, naeirui maltu
imi neoin geo algo
nae mari neoege daado
tireul mot naejana namdeuri jiltu
namdeurui jiltu
singyeong sseuji malgo
nal baraboneun
chojeom heuriji malgo
nae bandaepyeonui neo
oneulttara gakkawojyeo
geu pyojeong uriui saineun machi
gieogui pont alexandre gatji
nakjoe mudeun neoui saek
geu arae boineun uriga
jigeum i sigane gatyeo
yeongwonhal su itdamyeon
Take you to Paris, my lover
Close your eyes, nae son jabeo
uri hamkkeraseo naneun joa
oneun nareul jaba ganjikaeya
Take you to Paris, my lover
Close your eyes, nae son jabeo
uri hamkkeraseo naneun joa
oneun nareul jaba ganjikaeya
nae eumakgwa gachi han sigan
geuge myeot daljjeum doel geoya ama
nan neoui siganeul ppaeseogagiga
geureoke joteora nae sarang, jam wa
palbegae wieseo barak
kkakjireul kkin chaero tarak
segyereul doraseo daeche
ige myeot nyeoneul deo haeya ne keoseul jangak
We are dancing in the tv screen
yeonghwaga doel geoya nae imiji
ne meori wie maeil tteoinneun
bami doelge nareul damajwo
nareul damajwo
We are dancing in the TV screen
yeonghwaga doel geoya nae imiji
ne meori wie maeil tteoinneun
bami doelge nareul damajwo
nareul damajwo
Take you to Paris, my lover
Close your eyes, nae son jabeo
uri hamkkeraseo naneun joa
oneun nareul jaba ganjikaeya hae
Take you to Paris, my lover
Close your eyes, nae son jabeo
uri hamkkeraseo naneun joa
oneun nareul jaba ganjikaeya hae
A Korean indie track that builds a private world around a Paris bridge, mixing English and Korean to blur memory and reality. The bridge isn't just a location; it's the fixed point the whole fantasy orbits. 'Geu pyojeong uriui saineun machi gieogui pont alexandre gatji', our sign is exactly like the Pont Alexandre in memory, makes the actual place secondary to the version they've built together.
KIMMUSEUM performs "Pont Alexandre iii", and this lyric page sits inside the KIMMUSEUM catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "KIMMUSEUM's Parisian escape on Pont Alexandre iii", followed by the full lyric and related songs.
Yes. The related section below points to GUARDIANS and Cullinan with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through KIMMUSEUM's lyric pages.
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