A Korean adaptation of the Moana song that keeps the original's yearning while making it her own.
A Korean adaptation of the Moana song that keeps the original's yearning while making it her own.
What sticks is how the Korean phrasing leans into the physicality of the hesitation.
'Nareul ikkeune, kal su eobjiman', my feet won't move, even though I want to go.
A Korean adaptation of the Moana song that keeps the original's yearning while making it her own.
pada meolli kkeutjarakkaji
What sticks is how the Korean phrasing leans into the physicality of the hesitation. 'Nareul ikkeune, kal su eobjiman', my feet won't move, even though I want to go. It's not just emotional reluctance; it's the body refusing, feet planted in the sand. That makes the eventual decision to leave feel earned, like she's convincing her own limbs.
The phrase 'pada meolli kkeutjarakkaji', to the far edge of the blue sea, doesn't just describe distance. It's that specific edge where water meets sky, where what's known stops. The lyric keeps returning to that line, the 'supyeongseon' or horizon, because the song is about staring at exactly that line and wondering what's on the other side. Not in a grand adventurous way, but with the quiet tension of someone who knows they have to cross it even if they're not sure they can.
It's not just 'far away', it's 'to the far edge,' that exact boundary where the sea ends. The specificity gives the longing a place to land, a real line to cross.
The way she holds the word 'meolliseo', from far away, in the final verses, letting it hang in the air before the next phrase comes in.
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pureun, pada meolli kkeutjarakkaji
naneun, para poasseo
amu, iyudo eobshi
jeongmal, chakhan ttari twego sipeo
hajiman nan ireohke,
padatkae tto seo isseo
haraneun daero, karaneun daero
karyeohaebwado, nae palgiri,
nareul ikkeune, kal su eobjiman,
kago sipeun kot
haneulgwa mataeun supyeongseon,
nal pulleo
keu nugudo.. moreuneun kot..
padae nagamyeon parami, towajulkka
algo shipeo..
tteonamyeon eolmana,
meolli gage twelkka,
ara, seome saneun saram modu
jeongmal, haengbokhadaneun keol
modeun chunbi chal tweiji
ara, seome, saneun saram modu
chagi, hal iri isseo
tto nae yeokhaldo ijiman
chasineul katko, teouk kanghage
himeul moaseo, hal su ineunde
nae mam sogen, tareun noraega
ani an, tweji..
padareul pichuneun nunbushin,
cheo bichi..
nan kung geumhae.. keu pimiri..
meolliseo nareul pureuneun sori,
teullyeo one
algo shipeo..
supyeongseon neomeo, mwoga isseulkka
haneul mataeun cheo koshi, nal pulleo..
keu nugudo.. moreuneun kot..
padae, nagamyeon parami, towajuji
nan kalkkeoya..
tteonalkeoya...
A Korean adaptation of the Moana song that keeps the original's yearning while making it her own. What sticks is how the Korean phrasing leans into the physicality of the hesitation. 'Nareul ikkeune, kal su eobjiman', my feet won't move, even though I want to go.
SoHyang performs "How Far I'll Go 언젠가 떠 날가야", and this lyric page sits inside the SoHyang catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "SoHyang's Korean version of How Far I'll Go", followed by the full lyric and related songs.
Yes. The related section below points to Bridge Over Troubled Water and Sun Kissed Day with a short reason for opening each page next.
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