(I Am.)' holds onto a love that's already gone.
The lyric treats memory as an active, almost physical force, not a passive recollection.
It's less about sadness and more about being haunted by a version of yourself that still belongs to that time.
The Korean ballad 'Nan. (I Am.)' holds onto a love that's already gone.
(I Am.)' holds onto a love that's already gone.
The lyric treats memory as an active, almost physical force, not a passive recollection.
It's less about sadness and more about being haunted by a version of yourself that still belongs to that time.
The Korean ballad 'Nan. (I Am.)' holds onto a love that's already gone.
momchwoborin nemosubul dalledo giogdurun nol buthjabgo iji
The lyric treats memory as an active, almost physical force, not a passive recollection. It's less about sadness and more about being haunted by a version of yourself that still belongs to that time.
The phrase 'momchwoborin nemosubul dalledo giogdurun nol buthjabgo iji', 'even the forgotten memories hold you and remember you', does the heavy lifting. It's not just missing someone; it's the memory itself becoming a jailer. The past has its own will, and it won't release its grip.
Forgetting doesn't work here. The lyric insists that even the memories you think you've buried are still doing the work of remembering for you.
The way the vocal line stretches on 'buthjabgo', 'holding you', feels like the singer is trying to pull the memory closer even as he wants to push it away.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
Olmana manhun naldurul boneya
nega nol ijulji ni juwil memdolgo inun maumi
sulphun inyonira gidohamyo
nemaumul dalledo giogdurun nol buthjabgo iji
Bogo shiphunde jongmal nomu bogo shiphunde
ije namungon hongkhurojin sangchosoge sulphum
Dallyoga norul buthjabgo shipho
ne gyothul tonal sunun obdago
sorichimyo nunmullo guderul burugo
amuri nol miwohebwado doug do kojyoganun sarange
sulphumduri nunmullo du pyame hurune
Olmana manhun shiganul boryoya
nega nol jiulji yojonhi ongkhyoinun ne giogi
sulphun shigansoge momchwoborin
nemosubul dalledo giogdurun nol buthjabgo iji
Johahenunde jongmal nomu saranghenunde
gude obshinun harudo sumshwilsu obnun baboinde
Dallyoga norul buthjabgo shipho
ne gyothul tonal sunun obdago
sorichimyo nunmullo guderul burugo (bullobojiman amuri nol)
amuri nol biwonebwado dashi to chaorunun gurium
momchwoborin giogsoge so inun no
Arumdabdon gu misodo saranghedon giogduldo
haru haru jinalsurog morojyo gago
Dubon dashi usulsu obso norul pumgo sanun gasume
no temune ulgo udon jinan nalduri
oh dashi narul chajawa aphumuro narul cheugo
sulphumsoge inun nol gurimyo jamdune
iron ne mosubul anunji
(I Am.)' holds onto a love that's already gone. The lyric treats memory as an active, almost physical force, not a passive recollection. It's less about sadness and more about being haunted by a version of yourself that still belongs to that time.
V.O.S. performs "Nan... (I Am...)", and this lyric page sits inside the V.O.S. catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "V.O.S. sings about a memory that won't let go", followed by the full lyric and related songs.
Yes. The related section below points to Let's Live Oppositely and Unforgiven (Feat. IMS) with a short reason for opening each page next.
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