The 2018 breakthrough single finds the group wrestling with identity and the masks we wear.
The 2018 breakthrough single finds the group wrestling with identity and the masks we wear.
The song's power comes from that gap between the soaring, anthem-ready melody and the lyric's intimate confession of fraud.
It's not about becoming someone new, but about trying to locate what's left when the performance stops.
The 2018 breakthrough single finds the group wrestling with identity and the masks we wear.
"geoul sok bichin nae moseube gatyeobeorin geol nan ara"
The song's power comes from that gap between the soaring, anthem-ready melody and the lyric's intimate confession of fraud. It's not about becoming someone new, but about trying to locate what's left when the performance stops.
The phrase "gatyeobeorin geol", "has been borrowed", does a lot of work. It suggests the singer's image isn't her own property, but something taken on loan, maybe from expectations or from someone else's gaze. There's a quiet exhaustion in admitting you know this, followed by the plea to erase that borrowed self: "geuman jiwojwo", "just erase it."
It's a stark, simple admission of self-recognition. The singer sees the reflection and knows it's not truly hers, which frames the whole search in the song.
The way the Korean verses build tension that releases into the blunt English chorus, "Uh, oh my, it's all lies," sticks with you.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
geoul sok bichin nae moseube gatyeobeorin geol nan ara
saeropgeman neukkyeojineun nae moseup an dareun nal chaja
gyesok geotdeon georeum georin bandaero
geuttaemada saekdareun nae maeumdaero
Uh, oh my, it’s all lies
Do you know why? why?
nega geuryeotdeon nae moseubeun geuman jiwojwo
maebeon sumgyeowatdeon namanui saege muldeureoga
dangdolhame yeah yeah gominhal teum eopge
sesangui siseondeureul da take away
ariaria ariaria
nal gadwowatdeon neoreul
beoseodeonjilge gabyeopge
naeswieo chamatdeon sumeul
ariaria ariaria
duryeoul geot eopjana
mae sungan barawatdeon najana
gasigiran geol geodeo gidaehaewatdeongeol jeobeodallanmallya
ajjilhaetdeon georeum georin geudaero
banchik gateun saenggak da nae maeumdaero
Uh, oh my, it’s all lies
Do you know why? why?
nega geuryeotdeon nae moseubeun geuman jiwojwo
maebeon sumgyeowatdeon namanui saege muldeureoga
dangdolhame yeah yeah gominhal teum eopge
sesangui siseondeureul da take away
ariaria ariaria
nal gadwowatdeon neoreul
beoseodeonjilge gabyeopge
naeswieo chamatdeon sumeul
ariaria ariaria
apeuge haetdeon maldeul
ijen annyeong bye nan dasi
eodum ane sumji ana
nalkarowotdeon siseon
beiji anke jikyeojwo
take away
ariaria ariaria
nal gadwowatdeon neoreul
beoseodeonjilge gabyeopge
naeswieo chamatdeon sumeul
ariaria ariaria
The 2018 breakthrough single finds the group wrestling with identity and the masks we wear. The song's power comes from that gap between the soaring, anthem-ready melody and the lyric's intimate confession of fraud. It's not about becoming someone new, but about trying to locate what's left when the performance stops.
YERIN performs "ARIA", and this lyric page sits inside the YERIN catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "YERIN's ARIA and the lies we tell ourselves", followed by the full lyric and related songs.
Yes. The related section below points to Time and Lalala with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through YERIN's lyric pages.
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