A Korean ballad where memory sits on one shoulder and the present on the other.
A Korean ballad where memory sits on one shoulder and the present on the other.
The phrase "nae oreunjjoge neowaui siganeul dama nae oenjjoge neowaui gieogi nama" does the heavy lifting.
It's not just about missing someone; it's about how that missing gets physically arranged, how you walk around unevenly weighted.
A Korean ballad where memory sits on one shoulder and the present on the other.
nae oreunjjoge neowaui siganeul dama nae oenjjoge neowaui gieogi nama
The phrase "nae oreunjjoge neowaui siganeul dama nae oenjjoge neowaui gieogi nama" does the heavy lifting. It's not just about missing someone; it's about how that missing gets physically arranged, how you walk around unevenly weighted. One shoulder holds the hours you shared, the other holds what's left of them. The song lives in that imbalance.
That's the whole song right there. Not a metaphor you have to unpack, just a plain description of how it feels to walk around with someone's ghost still hanging on you.
The way the phrase "tto ireoke tto ireoke meolliseoman ireoke" repeats, each time stretching a little thinner. It sounds like someone watching a figure get smaller down a road.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
geudae mameun mwongayo nawa gateun geolkkayo
ajik naman gateun goseul barabwayo
hal mari cham maneunde geudae apeman seomyeon
babocheoreom naneun geunyang meomchwobeoryeotjyo
sigani heulleo
uriga yeongwonhi mannal su eopseul ttae
geuttaen malhal su isseulkka
nae oreunjjoge neowaui siganeul dama
nae oenjjoge neowaui gieogi nama
tto ireoke tto irеoke meolliseoman irеoke
geujeo neol barabogiman halge
sumgyeonoko akkyeodun mal
jasin eopseo sori naeji mothan geu hanmadi
geudael joahaeyo
geudae mameun mwolkkayo ajikdo moreulkkayo
geunyang nawa gateun gose isseo jwoyo
hamkke itdan saenggage neowa inneun moseubeul
geuryeo bomyeo naneun geunyang useobeoryeotjyo
sigani heulleo
uriga yeongwonhi mannal su eopseul ttae
geuttaen malhal su isseulkka
nae oreunjjoge neowaui siganeul dama
nae oenjjoge neowaui gieogi nama
tto ireoke tto ireoke meolliseoman ireoke
geujeo neol barabogiman halge
sumgyeonoko akkyeodun mal
jasin eopseo sori naeji mothan geu hanmadi
geudael joahaeyo
jigeum neol bomyeo oraenmaniya
arajwo naui jinsimeul kkok
neol ireokena geuriwohan nae maeumeul
nae oreunjjoge neowaui siganeul dama
nae oenjjoge neowaui gieogi nama
tto ireoke tto ireoke meolliseoman ireoke
geujeo neol barabogiman halge
sumgyeonoko akkyeodun mal
jasin eopseo sori naeji mothan geu hanmadi
geudael joahaeyo
A Korean ballad where memory sits on one shoulder and the present on the other. The phrase "nae oreunjjoge neowaui siganeul dama nae oenjjoge neowaui gieogi nama" does the heavy lifting. It's not just about missing someone; it's about how that missing gets physically arranged, how you walk around unevenly weighted.
YERIN performs "Time", and this lyric page sits inside the YERIN catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "YERIN's Time holds a conversation with absence", followed by the full lyric and related songs.
Yes. The related section below points to Lalala and Believer with a short reason for opening each page next.
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