A K-pop ballad about waiting through separation, anchored by a vow to come back to love.
A K-pop ballad about waiting through separation, anchored by a vow to come back to love.
The lyric treats memory as something you can hold onto physically, a 'shape' you return to.
It's less about missing someone and more about preserving a version of yourself that only exists with them, waiting for the spring days to circle back.
A K-pop ballad about waiting through separation, anchored by a vow to come back to love.
I won't make you wait too long
The lyric treats memory as something you can hold onto physically, a 'shape' you return to. It's less about missing someone and more about preserving a version of yourself that only exists with them, waiting for the spring days to circle back.
The phrase 'We'll be right back to love' does a lot of work here. It's not just hoping; it's stating a fact, almost like a schedule. That pressure to keep a connection alive when everything else is 'sarajyeobeorigo', fading away, gets answered with this flat, stubborn certainty.
It's a direct address, a promise made to cut through the fog of memories. In a song about separation, that line acts like a hand on the shoulder.
The way 'Hold on' repeats, almost like a mantra, over those 'Nah nah nah' ad-libs gives the song its stubborn pulse.
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The lyric stays readable and compact here; the note and related paths sit nearby so you do not lose the song while looking for context.
geuriwohae neowa
hamkkehaessdeon sigan sogeseo
ssahyeojin chueok
jugobadassdeon modeun geol oh oh
neomu naccseoreo nan
neul neoro chaewojin jariga
biwojin dwiro
tto gireul ilhgo
hollo meomulleo neol gidarimyeo
I won’t make you wait too long
manheun gyejeori jina
akkineun uriui
gieogi huimihaejigi jeone
doragal tenikka
jigeum urin majimak
insaneun aninikka
nae maeumi
byeonhameopsi
We’ll be right back to love
modeun ge sarajyeobeorigo All I see
You and me
We hold on
Hold on
du nuneul gamaya boineun Memories
Baby please
eonjena gidaryeojul teni
dasi doraoneun nalkkaji
jamkkan Good bye
Nah nah nah nah nah
nah nah nah nah nah
Hold on
Hold on
Before we met I was
geu moseubeun tubakhaesseossdeon Shape
bodeumeo jwossdeon My fans
cheoeumen da modeun ge Shy
seongjanghaenaga as J
dorikyeobwa Spring days
gopssibeo bwado bom naeeum
chueogi gisdeureun seoul
deo wanyeonhi gipeojil yeoun Hold on
heurijiman
seonmyeonghaessdeon First time
seotulge boyeodo
gwaenchanha All right
neuseunhaejil gieok
tteoaneun sigan
modu
We’ll lean on each other again
I won’t make you wait too long
manheun gyejeori jina
akkineun uriui
gieogi huimihaejigi jeone
doragal tenikka
jigeum urin majimak
mannameun aninikka
nae maeumi
byeonhameopsi
We’ll be right back to love
modeun ge sarajyeobeorigo All I see
You and me
We hold on
Hold on
du nuneul gamaya boineun Memories
Baby please
eonjena gidaryeojul teni
dasi doraoneun nalkkaji
jamkkan Good bye
Nah nah nah nah nah
nah nah nah nah nah
Hold on
Hold on
amuri eoduwojyeo gado nan
Yeah yeah yeah
Time waits for nobody
dasi mannal ttaekkaji
I’ll be waiting here ‘til you return
modeun ge sarajyeobeorigo All I see
You and me
We hold on
Hold on
du nuneul gamaya boineun Memories
Baby please
eonjena gidaryeojul teni
dasi doraoneun nalkkaji
jamkkan Good bye
Nah nah nah nah nah
nah nah nah nah nah
Hold on
Hold on
A K-pop ballad about waiting through separation, anchored by a vow to come back to love. The lyric treats memory as something you can hold onto physically, a 'shape' you return to. It's less about missing someone and more about preserving a version of yourself that only exists with them, waiting for the spring days to circle back.
KARD performs "Hold On", and this lyric page sits inside the KARD catalog on LyroVerse.
Yes. The page carries the LyroVerse editor's note "KARD's 'Hold On' and the promise of return", followed by the full lyric and related songs.
Yes. The related section below points to Ah Ee Yah and Dímelo with a short reason for opening each page next.
Use the artist link near the top of the page or the related paths section below to keep moving through KARD's lyric pages.
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